Cambridge Archives - Blasdale Home

Cambridge Chemistry Laboratory

Posted on March 22, 2025 by SteveApril 23, 2025

22nd March 2025

I received an invitation to an open day at the Chemistry Laboratory of Cambridge University. The event commenced with a demonstration led by Professor Peter Wothers. While his demonstrations are typically known for their explosive nature, featuring loud bangs from igniting gases, this particular session adopted a more relaxed approach. It showcased naturally occurring elements and how these everyday substances and compounds can be transformed into explosives.

The demonstrations were fascinating. For instance, we learned that elemental iron is not found naturally on the Earth’s surface, except in some meteorites, due to its high reactivity in our oxygen-rich atmosphere. Professor Wothers then poured iron filings, prepared under an inert gas, onto the floor. They immediately ignited, emitting red and white sparks as they burned.

We also witnessed the manufacture of gunpowder from naturally occurring elements and compounds and observed nitrogen triiodide detonating upon the slightest touch. (This is an explosive I made while I was a Cambridge, and distributed over the floor of the late night bar, as well as in keyholes of student rooms.) The demonstration concluded with an explosion of nitroglycerine, all potentially derived from naturally occurring compounds and elements.

Following the demonstration, we had lunch in a space overlooking the laboratory entrance. Several labs were hosting experiments specifically designed to pique children’s interest in chemistry. These rooms were exceptionally noisy, prompting our swift departure.

Afterwards, R visited Bodies in the Bookshop and left with several books. The very obliging shop owner is now collecting several crime novels set in Cambridge for her. He has contacted her on a few occasions since, and we plan to return to Cambridge in June to collect the books.

Our visit concluded with coffee at Espresso Lane, a somewhat quirky, tiny coffee shop located next door. Interestingly, the former residence of the Cambridge executioner is situated on the same street.

Gonville & Caius Commemoration Benefactors Feast

Posted on November 16, 2024 by SteveNovember 25, 2024

16th November 2024

Today Gonville and Caius celebrated the benefactors of the college, going right back to the days of Edmund Gonville. The Commemoration of Benefactors started with tea and a talk, followed by a special chapel service and a dinner in hall. I found it interesting to note how many of the original benefactors who were instrumental in founding and funding Gonville and Caius were from Norfolk.

We headed over to Cambridge, I dropped R & luggage off at the Ibis hotel by the Cambridge Railway Station, then parked the car on the Caius playing ground and walked back to the hotel.

We dressed in our glad rags, R was annoyed in that I had not brought the correct dress shirt for my dinner jacket, nor socks. I had on very smart gull designed FatFace socks but R deemed them unsuitable, so passed me the next day’s plain black socks. Oops, not plain black. They had Download logos, so gull socks it was.

Finally dressed, we walked to college for tea, where we met up with Richard & Andrea, before we all we went to the presentation from the architects for Project Agora, the redevelopment of various Caius properties east of Rose Crescent, including the recent purchase of Radcliffe Court. The aim is to renovate the retail space, making it more profitable, and adding in more student accommodation above the shops. There is already some accommodation there which is in use. We were shown a number of ideas. It will be some time and a large fund raising effort before the actual work starts, many retail leases have years to run.

After the talk we headed to chapel for the service where we sang several unknown (to me) hymns, listened to the excellent Caius Choir and prayed. Oh and we thanked the benefactors and admitted a new member to the title of Gonville Fellow Benefactor. The sermon was by His Honour Judge Mark Lucraft KC, the Recorder of London.

Back to the Senior Common Room for some fizz, and then the feast in hall. All four courses had excellent wine pairings, fruit and chocolates. The chef must be congratulated in serving around 180 people with such excellent food. I went for the meat offerings and R the vegetarian. There were five alumni from the 1972 era. I spent most of the time talking with the wife of a 1974 era chap.

Somehow I ended up in R’s bad books again when she suddenly saw streaks of red over my shirt & one cuff. Andrea suggested perhaps I had trailed my cuff in the sweet, with its cherry and espresso gel, and then managed to flick my hand over my chest. Lucky, I said, that I wasn’t wearing a dress shirt!

We didn’t stay long after the meal, just a quick whisky in the Senior Common Room, before catching a bus back to the hotel.

Next morning we met up again with Richard and Andrea for coffee and cake at Harvey Court, Said our adieus and departed homewards.

Birthday in Cambridge

Posted on October 28, 2024 by SteveNovember 11, 2024

28th October 2024

For my birthday, we headed to Cambridge to stay in a campsite near Trumpington. This was a change to tradition, because normally we venture into Suffolk and stay in Southwold. Last year, in the weeks before my birthday, the weather had been terrible, and the campsite eventually cancelled our booking because of flooding, requiring us to stay in a hotel.

We booked the Cambridge campsite for six nights, leaving the site on the Monday when it was closing for the winter. It seemed strange to close at the start of a school half term, we later heard this was because of the early Easter, and the number of days they are licensed to open, which forced them to close for half term. Even so, the campsite was terribly busy.

We arrived on Tuesday and put up the awning. The mild dry weather allowed us to sit outside after dark. Talking of dark, I wish it was dark, I wish there were less lights around the campsite, and why oh why do caravanners and motorhome owners insist on leaving a light on over their doorway? Moan over.

Wednesday – Granchester

We decided to walk into Cambridge, first towards Trumpington, then onto Grantchester, and finally Cambridge and along the River Cam. It was a lovely day. Blue sky and a light wind. We headed into Trumpington and turned left after the Waitrose onto Grantchester Road. Some lovely houses along this street along with a wedding venue. Before crossing the River Cam, we paid a visit to the Wildlife Trust Trumpington Meadows, basically a lovely walk along the Cam to Byron’s Pool, which turned out to be a weir, and then back to Grantchester Road to cross the river Cam.

The walk continued into Grantchester, past the church. Something was happening here, filming for ITV’s Grantchester was in progress The church was surrounded by lights, a nearby house was newly decorated, and covered in Wisteria flowers, in full plastic bloom. We stopped for lunch at the Red Lion, where we could watch the vans and production crew walking up and down the street. After a good lunch, we had an espresso from a popup near to the Cambridge distillery. There was the odd actor and acolyte around here. People running around with boxes of food & laundry. At the coffee stall we bumped into Robson Green. The coffee stall was not meant to be there, his day off? I suspect he’d heard the film production was in town and decided to make a profit. Excellent coffee by the way. He used a distributor before using a tamper

We continued our walk along the Cam, fairly good going with the odd little patch of mud. Despite the warm weather and sun, there were no punts on this stretch of water. There were a few below the locks, punting past the colleges.

A quick tea break at Michaelhouse Café, before setting home on the bus, hence the picture of Dame Mary Archer Way near Addenbrooke’s Hospital.

Thursday – Nish Kuma

Yet another beautiful day. Have I done something this year to deserve a beautiful day for my birthday?

No big rush to get into Cambridge, lunch was booked for 1.30 at the Millworks. We stopped off at Fatface, and looked around, not buying anything. The we headed to the Millworks where we were booked in for 1.30 Arriving early, we had cocktails at the bar before going to our table which was next to the water mill. We had an enjoyable three course meal, complete with my 10% discount for being a Cambridge graduate, proved by my having a Cam Card. Afterwards we walked along to Caius Harvey Court where there is a coffee shop in the students rec area, open to the public. Sat outside on the brick steps and watch the squirrels run around. So peaceful.

The rest of the afternoon was spent wandering around Cambridge, through Kings College, yea we were able to get through the Backs entrance, another useful feature of my degree and hence my Cam Card.

We were booked to see Nish Kumar at the Corn Exchange with Leila Navabi as support. Leila didn’t raise many laughs for us, she was a bit gynecological about her travel to motherhood without having sex with a man. On the other hand, Nish was excellent and very funny. His hatred of Boris Johnson and the Tory Party knew no bounds. His rate of talking was so fast! Then when a poor woman in the audience had to leave to go to the loo, he adlibbed at her expense for the duration of the time she was out of the auditorium, so she never missed any of the show.

When Nish had finished his show, the police requested that we did not leave because of an incident outside, so Nish came back on stage to answer questions. As he said, the lengths he went to to get an encore.

Having missed our bus due to the incident delaying our departure, we popped into The Pint Shop for some craft beer before catching the last bus back to the campsite.

Friday – Kettles Yard

We headed into Cambridge to visit Kettles Yard, and the nearby church of St Peters. St Peters church is very small with a quaint baptismal font, complete with mermen.

We also looked around Kettles Yard, where there was an exhibition of art by Portia Zvavahera. Her art draws on southern African culture and Christian iconography. All I can say, is that it does take up a lot of wall space and wouldn’t suit a small modern house.

We revisited the house where Jim and Helen Ede lived. Their residence there coincided with the first year of my life at Cambridge. R asked how they dust certain objects. An air puffing device was the solution.

R wanted to stop off at a bookshop she’d noticed. There was a British Library Crime Classics book ste in Cambridge in the window. The Bodies in the Bookshop had R in raptures. New & secondhand books. She exited with only five books, saying she could have bought more. A lucky escape for me.

Saturday – Saffron Walden

Saturday was earmarked for visiting Saffron Walden. We sat at the front of the upstairs of the bus We arrived at and headed to the Fry Gallery. They had a special exhibition of local artists from their collection. It was called ‘Great Barfield and Beyond: A working Landscape”.

Olive Cook, in her book about North West Essex Artists, called Great Bardfield a “paradise”. But Edward Bawden and Eric Ravilious, who moved there in 1931, saw it differently. They saw the countryside as a place to work and develop their watercolors.

Later, Bawden brought other artists to Bardfield and nearby villages. These artists also liked the countryside and used their homes as studios. They would take the bus to London to teach part-time at art schools. By the 1970s, when Bawden moved away, many of the other artists had also left.

This exhibition shows the work of many different artists who lived and worked in the area, including Bawden, Ravilious, and others. They all found inspiration in the landscape, buildings, farms, and villages around them.

After our viewing, we walked around the market, and decided to have lunch at the Cross Keys Hotel. What a disaster, it was quite busy, but we agreed with a waitress to eat at a small table by the bar. We ordered a drink directly from the bar, which took a while to turn up. The barman was rather overrun with orders. Then we were ignored by the waitresses for a very long time. R got her attention, by asking for a menu, and we were moved into the main part of restaurant. We ordered, after a further wait for a waitress to take our order, and then we waited and waited and waited. Eventually we gave up and left. If only someone had kept us informed as to what was happening. Perhaps warned us in advance about a long wait or even apologised during our frustrating wait. Google maps tells me that we were there for 1 hour and 40 minutes. Ended up getting a bite to eat from Gregs

Sunday – Little Rose

A more successful day on the food-side. Caught the bus into Cambridge, had a coffee at the Café Nero, a large number of students sitting there working on their laptops. I can’t remember Sundays being like that, they were a day off. After coffee, the Fitzwilliam had opened, so we went inside to see the exhibition on the Paris 1924 Olympics. Fascinating seeing what outfits the women were allowed to wear and the limited array of sports they could participate in. Of course, it featured the Cambridge university participants and medal winners.

We headed ccross the road to the Little Rose restaurant for Sunday lunch. The Little Rose had been a Loch Fyne, but now its name had reverted to the original pub name from my days. This restaurant had exemplary service. Never left waiting to order, never waiting long for food, and at the same time not feeling rushed. A definite change from the previous failed day.

Monday

Packed up and left for home. Filled up with fuel on the way home. There is bound to be a fuel tax rise at the next budget. It is about time fuel duty is increased, it has been static for years, with even a 5p reduction.

Addenda

1 – Tax has not gone up.

2 – A few weeks before we left for Cambridge, I had to have a puncture repaired on the front drivers-side tyre of the VW. A few days after arriving home, I see there is a screw in the rear drivers-side tyre. Those two punctures and a third puncture in a Polestar tyre earlier make for three punctures this year. I haven’t had any other punctures in the last 10 years.

Gonville and Caius Annual Gathering for Matriculants up to and including 1972

Posted on September 21, 2024 by SteveFebruary 15, 2025

21st September 2024

A Gonville and Caius Annual Gathering was held for matriculants of 1972 and earlier. The college hosts a reunion dinner every ten years until the 50th anniversary, after which it becomes an annual event.

Having attended all previous gatherings, I’d become accustomed to complimentary accommodation in student rooms and a free dinner. Over time, attendance dwindled, leading to combined year groups at the dinners. This year marked the 50th anniversary, shifting to an annual schedule, but also introducing a substantial charge. This likely explains the low turnout; only twelve members of the 1972 cohort attended, and the overall attendance barely filled half the dining hall.

Accommodation was provided in the Stephen Hawking building. Unfortunately, access to the dinner and back required a walk along Garret Hostel Lane, as the gate to King’s College was locked.

Breakfast at Caius, a full English, was excellent.

Edmund Gonville Society

Posted on May 2, 2024 by SteveMay 2, 2024

18th April 2024

Our first outing this year in Campervan Morrison was to Cambridge. I am excluding the visit to the local VW car meet which takes place once a month on a Sunday morning at the Akeman Inn.

The reason for visiting Cambridge was for a Saturday lunch appointment at Gonville and Caius for the Edmund Gonville Society Lunch. This does make for some strange packing, taking a suit and smart rags in the van is Not The Done Thing.

We arrived on the Thursday, entering the site as the gates opened for new arrivals. Parked the van, set up the awning, and headed into Cambridge for an appointment with the Caius Archivist, James. Rosemary had acquired a Caius Scratch Fours rowing cup on Ebay, which included the name of the Caian EA Wilson, the explorer who had died with Scott in Antarctica. We wanted to give it to the college.

We arrived at Caius and met James who first showed us the Caius flag which had been take to Antarctica on the Terra Nova expedition by Wilson for use as a sledge pennant. Embroidered by, or at least at her request, his mother. It is displayed in wall mounted oak box on the wall next to the Senior Members dining table. It has always been there in all my years at college, but this was the first time I had seen it.

We next visited the library where the archivist showed us various artefacts, paintings & photos concerning Edward Adrian Wilson, including his obituary in the Caian. R described him as heartbreakingly handsome in a photo taking of him in 1894. James had also found some records of my own time in Cambridge, my matriculation record, my attendance record and my Tripos record (luckily nothing incriminating; he knew my wife was with me).

Next day, Friday, we visited the Cambridge University Library for an exhibition of crime novels “Murder by the Book”. Many of the books on display were first editions, as they should be, because the library is one of the six UK legal deposit libraries. Rosemary was amazed at the number of crime books on display which she had read, and she coo-ed over the dustcovers, Agatha Christie’s typewriter and the typescript for Curtain. Who wrote the first detective novel? Edgar Allan Poe, you say? No, no, no, go, to the exhibition! It was The Notting Hill Mystery by Charles Felix, published 1862/1863.

Leaving the library, we headed to Harvey Court where now there is a public coffee shop in what was once the JCR. So us two oldies sat there drinking our coffees amongst the young students.

Afterwards, we headed back to Cambridge passing through Kings College (free entry to us, as I flashed my Camcard). We marvelled at the masses of cowslips growing in the wild portion of Kings College.

Stopped off for a beer and lunch at The Pint Shop, famed for serving lots of different Craft Beers. I plumbed for a dark stout, while Rosemary dithered so was presented with five different beers to try. She selected a beer that, she thought, most closed matched Adnams Ghost Ship. Good Scotch eggs.

We then headed on down to the Lensfield road and the Scot Polar Museum. R was a little disappointed in that there were no paintings by Wilson on display. She was sure the last time we were there, during an alumni event, possible in the last millennium, that these had been on display. From here went back to the campsite.

Saturday was the day of the Caius meal. So duly smartly dressed, we headed for the bus, and walked the last distance to college. We were shown the way through the college by a student from Newcastle. She had been here the previous year. After registration and a coffee, we went and listened to a talk on AI, AI being the topic we all must hear about.

Before lunch in hall, we had a reception drink. At the meal, R and I were seated on the top table, I was sitting opposite the Master, Pippa. Spent most of the time speaking to someone older than me, who still lives in Cambridge so had walked over from his home near Parkers Piece.

I did eventually speak with Pippa and heard about how they were going to decarbonize with air source heat pumps. Ground source deemed not possible because they don’t have the ground area, and the heat extracted from the boreholes needs to be replaced. Also heard about the area the other side of Rose Crescent they had purchased. They planned to keep the retail, but convert the upper floors to student accommodation.

The lunch time meal was nice, but nowhere near the standards of the November Commemoration Feast.

After our meal, we headed over to the Zoology Department where we found some volunteers and avid Naturalists were running various sessions encouraging the public to take an interest in Natural History. There were some weird ideas on display, including wellness surveys based around growing plants from specific seeds, which the project/survey provided. There was a display of amber, picked up on the beaches of Norfolk and Suffolk.

Sunday, we caught the bus, very crowded, into Cambridge and went for Sunday lunch at the Millworks. Not booked, but they could give us a table at 12, so long as we were out by 1.30. While were were there it was getting busier all the time. Food was good and we did eat a Sunday lunch, I opted for the Pork Belly, R a spring veg risotto.

The Commemoration of Benefactors 2023

Posted on November 18, 2023 by SteveDecember 9, 2023

18th November 2023

Rosemary and I attended the Gonville and Caius Commemoration of Benefactors Chapel Service and Dinner. The event is held annually to commemorate the benefactors of the college, naming the major benefactors since the foundation of the college on the 28th January 1384 by Edmund Gonville. (John Caius, the third founder, appeared in 1557.) The Commemoration of Benefactors service took place in the college chapel at 6.00pm. The service was followed by a feast in the hall, which was arranged in accordance with the memorandum of the second founder, William Bateman, dated 6 November 1352.

The celebrations began with tea in the Fellows Combination Room, where we met up with friends Richard & Andrea.

We then heard a lecture by Ms Merryn Somerset Webb, a Bloomberg Columnist. Apparently, she is an award-winning commentator on economics, financial markets, and personal finance, as well as a popular speaker and broadcaster. Her new book, Share Power, looks at how ordinary people can use the power they already have to make capitalism work for everyone. Ms Somerset Webb studied Economics at Caius in 1989, but later changed her degree course to History, as she wanted a first-class honours degree and was not going to achieve that in Economics (her thoughts not mine). Her lecture was very contentious, and in some cases, especially about renewable electricity, extremely contentious and to my mind plain wrong. She was baiting the audience and expected some comment on her renewable stance. She then launched into monetary policy, declining birthrates, immigration, and ownership of business. Some of this I did agree with, though her contentious thoughts on renewable energy will only have us fry.

After the lecture, we attended the Chapel Service. After the service, we made our way to the Senior Combination Room for drinks, and then to the hall for supper. The feast is a several-course meal with grace, matching wines and an address from the Master. Towards the end, the Caius Choir entertained us with various songs including ‘Ob-La-Di, Ob-La-Da’.

Following the meal, we retired to the Fellows Combination Room where we drank AnCnoc, a highland malt, cognac, and mingled with other guests, fellows, and choir members. It was interesting talking to the choir members, undergraduates, who seemed so earnest in their studies, a far cry from my days.

Well after midnight, we enjoyed a stroll across Jesus Green, disturbing a fox who was scavenging for food. He darted away in front of us and through a fence into a garden. We made it back to the hotel after 1.00am.

The Gallery

The Choir

The Menu

Ferat Prestige

Port poached chicory & goats cheese mousse: Quince purée, Romano pepper, avocado & lime emulsion.

Bodegas Rafael Palacios ‘As Sortes Val do Bibei’ Godello, 2016

Leek & Halibut torchon: Suffolk chicken crumble, preserved lemon, tarragon split oil sauce, and shiso.

Leek & Aubergine “cannelloni”: Delica pumpkin ketchup, samphire bhaji, spiced radish, and pepper XO. (V)

Agnes et Dider Dauvissat Chablis Premier Cru Beauroy, 2020

Loin of Norfolk Venison: Orange poached carrots, broccoli & watercress purée, fondant potato, and blackberry.

Jerusalem artichoke & wild mushroom pithivier: Orange-poached carrots, cauliflower pomme purée, and broccoli & onion jus. (V)

Nuits-Saint-Georges Premier Cru, Les Vaucrains, Domaine Jean Chauvenet, 2014

Dark chocolate ganache: Cornish clotted cream diplomat, orange compote, whiskey crispy oats, and milk sorbet.

Ridge Vinyards, Lytton Springs, 2013

Dessert, Coffee and chocolates

Ch. Leoville Barton, Saint Julien, 2eme Cru Classe, 2005
Ch. Doisy Daene, Barsac, 2009
Graham 1970

Post prandials

AnCnoc 12yrs Highland Single Malt Scotch Whisky
Maxime Trijol Grande Champagne VSOP Cognac

Cambridge Folk Festival, Sunday

Posted on July 30, 2023 by SteveOctober 11, 2023

30 July 2023

Oi Va Voi

Oi Va Voi, the London-based band that blends klezmer, dance, indie rock and alt-folk, delivered a stunning performance at the Cambridge Folk Festival 2023. The band, which has been active since 2000, showcased their musical versatility and wanderlust. The audience was captivated by the band’s energy and charisma, as well as the virtuosity of their musicians, especially violinist Anna Phoebe. The band received a standing ovation at the end of their set, and left the crowd wanting more. Oi Va Voi proved once again why they are one of the most innovative and exciting bands in the world music scene.

Jenny Colquitt

Jenny Colquitt is a rising star in the Americana scene, with a strong and expressive voice, impactful lyrics and winning melodies1. She was named as one of RnR Magazine’s ‘Ones to Watch’ in 2022 and won the FATEA ‘Female Artist of the Year’ award in 2021/20223. She performed on the Den stage at the Cambridge Folk Festival 2023, showcasing her talent and charm to a captivated audience.

One of the highlights of her set was the song Little Blue Boy, a lullaby-inspired tune that tells the story of a boy who falls asleep under a haystack while his animals wander off. The song has a gentle and soothing melody, with acoustic guitar and harmonica accompaniment. Colquitt’s vocals are sweet and tender, conveying the affection and concern for the sleeping boy. The song also has a touch of humour, as the animals try to wake him up but fail. The song is based on the traditional nursery rhyme Little Boy Blue, but Colquitt adds her own twist and flair to it.

Little Blue Boy is a song that showcases Colquitt’s ability to craft engaging and memorable songs, with a blend of folk, pop and Americana influences. It is a song that appeals to both children and adults, as it evokes nostalgia, innocence and warmth. Colquitt’s performance of Little Blue Boy on the Den stage was a delight to watch and listen to, and it left the audience wanting more.

The Chair

f you are looking for a band that can make you dance, laugh and sing along, then you should not have missed The Chair at the Cambridge Folk Festival 2023. The Chair is an eight-piece band from Orkney that plays a fusion of folk, blues, rock, dub and klezmer music with a lot of energy and humour. They have been described as a “must-see festival band” and a “rampant ruckus of fiddles, banjos, accordions and drums”. Their latest album, Orkney Monster, is a tribute to the mythical beast that is said to lurk in the waters around their home island. The album features catchy tunes, witty lyrics. The Chair will played on stage 2 on Sunday at 4:30 pm. I did not regret seeing them, as The Chair delivered a show that left me breathless and exhilarated. The Chair is one of the highlights of the Cambridge Folk Festival 2023, and I am gladd I did not miss them!

Akram AbdulFattah

I had the pleasure of attending the Cambridge Folk Festival on Sunday, July 30th, 2023, and one of the highlights of the day was the performance of Akram Abdulfattah, a young Palestinian-American violinist who mesmerized the audience with his unique and innovative music style. He played with his quartet “Awan”, which means “time” in Arabic, and they blended jazz with middle eastern and Indian influences, creating a rich and diverse musical experience. Akram Abdulfattah is a virtuoso on the violin, and he showcased his skills and versatility in every song. He also introduced each piece with a brief explanation of its origin and inspiration, giving us a glimpse into his culture and vision. He received national and international recognition for his talent and creativity, winning several prestigious awards. He also expressed his desire to use instrumental music as a tool to introduce the world to the Palestinian rich culture, legacy, and folklore. His performance was captivating, inspiring, and uplifting, and I highly recommend anyone who loves music to check him out. He is a rising star in the folk scene, and I look forward to hearing more from him in the future.

Hollie Cook

Hollie Cook is a singer and keyboardist who blends reggae, pop, and soul with a tropical flair. She has been making waves in the music scene since her debut album in 2011, and has collaborated with artists like Prince Fatty, Ian Brown, and Jamie T. She is also the daughter of Sex Pistols drummer Paul Cook, and the goddaughter of Boy George.

On Saturday, July 29, 2023, she graced the Stage 2 of the Cambridge Folk Festival, one of the longest running and most famous folk festivals in the world. The festival, which takes place in the grounds of Cherry Hinton Hall, offers a diverse and eclectic line-up of folk and roots music from across the globe.

Hollie Cook delivered a captivating performance that showcased her unique style and voice. She sang songs from her latest album, Happy Hour, which was released in 2022 and features a mix of upbeat and mellow tracks. She also performed some of her older hits, such as “Body Beat”, “That Very Night”, and “Tiger Balm”.

The audience was enchanted by her charisma and energy, and sang along to her catchy choruses. She interacted with the crowd, telling stories and jokes between songs. She also expressed her gratitude for being part of the festival, and praised the other artists who were playing on the same stage.

Hollie Cook proved that she is a versatile and talented artist who can blend different genres and influences into her own distinctive sound. She brought a tropical breeze to the Cambridge Folk Festival, and left the audience wanting more. She is definitely one to watch in the reggae scene, and beyond.

Elephant Sessions

The Elephant Sessions are a Scottish indie-folk band that have won several awards for their energetic and innovative music. They blend traditional instruments like fiddle, mandolin and guitar with drums, bass and synths to create a sound that is both fresh and rooted in their heritage. They played on stage 1 of the Cambridge Folk Festival on Sunday, July 30, 2023, and delivered a stunning performance that had the crowd dancing and cheering. Their set included songs from their latest album, What Makes You, as well as some older favourites like Wet Field Day and Lament for Lost Dignity. They also surprised the audience with a cover of The Proclaimers’ I’m On My Way, which they dedicated to their fellow Scots who were headlining the festival. The Elephant Sessions proved that they are one of the most exciting and original bands on the folk scene today, and left the fans wanting more.

Angelique Kidjo

Angélique Kidjo is one of the greatest artists in international music today, a creative force with thirteen albums to her name. She performed at the Cambridge Folk Festival 2023 on Sunday, July 30, at the Cherry Hinton Hall2. Here is a short review of her show:

Angélique Kidjo dazzled the audience with her vibrant and eclectic mix of musical influences, from West African traditions to American R&B, funk and jazz. She sang in multiple languages, including her native Fon, Yoruba and French, as well as English and Spanish. She also paid tribute to some of her musical heroes, such as Miriam Makeba, Celia Cruz and Nina Simone. She invited the crowd to join her in singing and dancing, creating a joyful and energetic atmosphere. She also shared stories of her life and activism, expressing her passion for women’s rights, education and environmental issues. She ended her show with a stunning rendition of her hit song “Agolo”, which earned her a standing ovation from the festival-goers. Angélique Kidjo proved once again why she is called “Africa’s premier diva” by Time Magazine.

Gallery

Cambridge Folk Festival, Saturday

Posted on July 29, 2023 by SteveOctober 11, 2023

29th July 2023

Today was another dry day for the folk festival. Sunday was definitley going to be a bit iffy. Andrea, Richard and SImon were coming to the festival. We met up and watched what we wanted to.

Angeline Morrison and The Sorrows Band

Angeline Morrison and The Sorrows Band delivered a stunning performance at the Cambridge Folk Festival 2023, showcasing their album The Sorrow Songs: Folk Songs of Black British Experience. The album, which was released in 2022 to widespread critical acclaim, is a work of re-storying, of lives and experiences, into songs in the folk style. It shines a long overdue spotlight on the historic Black experience in the UK folk tradition, which dates back to at least Roman times, yet is often hidden, forgotten or unacknowledged.

The band, composed of Angeline Morrison (vocals, autoharp), Cohen Braithwaite-Kilcoyne (anglo concertina, vocals), Hamilton Gross (violin, vocals) and Clarke Camilleri (banjo, guitar, vocals), blended influences from the Caribbean and Orkneys, where they have roots, with elements of soul music, literature, 60s beat pop sounds, folklore, myth and the supernatural. Their songs explored themes such as slavery, racism, identity, love and loss, with a deep love, respect and curiosity for traditional song.

The highlight of their set was the haunting rendition of The Brown Girl and Other Folk Songs, a song cycle based on the ballad of The Brown Girl (Child 295), which tells the story of a Black woman who is rejected by her lover for a fair-skinned woman. Angeline Morrison’s voice was captivating and emotive, conveying the sorrow and resilience of the protagonist. The band’s harmonies and instrumentation were exquisite and atmospheric, creating a spellbinding effect on the audience.

Angeline Morrison and The Sorrows Band are a rare gem in the folk scene, offering a unique and powerful perspective on the history and culture of Black British people. Their performance at the Cambridge Folk Festival 2023 was a memorable and moving experience that will stay with me for a long time.

Le Vent Du Nord

Le Vent Du Nord was one of the highlights of the 2023 Cambridge Folk Festival, bringing their infectious and energetic Québécois folk music to the main stage. The band, composed of five multi-instrumentalists and singers, delighted the audience with their mix of traditional tunes and original compositions, sung in French and English. Their repertoire ranged from lively reels and jigs to poignant ballads and songs of protest, reflecting their rich and diverse cultural heritage. They also demonstrated their impressive musical skills on instruments such as the hurdy-gurdy, the fiddle, the accordion, the guitar and the banjo. The band’s charisma and humour, as well as their interaction with the crowd, made their performance a joy to watch. Le Vent Du Nord received a standing ovation from the enthusiastic fans, who sang along, clapped and danced to their catchy melodies. Le Vent Du Nord proved once again why they are one of the leading forces in Québec’s progressive francophone folk movement.

Gangstagrass

Gangstagrass was one of the most surprising and exhilarating acts at the Cambridge Folk Festival 2023, bringing their unique blend of bluegrass and hip hop to the main stage on Saturday night. The band, led by Brooklyn producer Rench, combines authentic bluegrass instruments and vocals with rap lyrics and beats, creating a new genre that bridges the gap between urban and rural cultures. Gangstagrass is best known for their Emmy-nominated theme song for the FX television show Justified, “Long Hard Times to Come”, which they performed with gusto and swagger.

The band’s setlist featured songs from their latest album, No Time For Enemies, which debuted at #1 on the Billboard bluegrass chart in 20202. The album tackles themes such as racism, social justice, unity and hope, with a deep respect for the roots and traditions of both genres. Songs like “Freedom”, “Ride With You” and “Ain’t No Crime” showcased the band’s lyrical skills and musical versatility, as well as their ability to engage and inspire the audience. The band also played some of their older classics, such as “Bound to Ride”, “Barn Burning” and “I’m Gonna Put You Down”, which had the crowd clapping, stomping and singing along.

The band’s chemistry and charisma were evident throughout the show, as they interacted with each other and the crowd with humour and warmth. The band members are Rench (vocals/guitar/beats), Dan Whitener (banjo/vocals), Brian Farrow (fiddle/vocals), R-Son The Voice of Reason (vocals) and Dolio The Sleuth (vocals). They each displayed their impressive musical talents and personalities, creating a dynamic and diverse sound that appealed to both old and young fans of folk and hip hop.

Gangstagrass proved that they are more than just a novelty act, but a serious and innovative force in the music scene. They delivered a stunning performance that was one of the highlights of the Cambridge Folk Festival 2023, showing that rap and grass can indeed mix harmoniously.

Kate Rusby

I have no video of Kate, just a comment in my notes. ‘Too much talk between the ongs. Band OK, but she isn’t

Baskery

Baskery are a trio of sisters from Stockholm who have been making waves in the folk and roots music scene with their unique blend of banjo, guitar, bass and harmonies. They call their style “banjopunk”, “fierce folk” or “nordicana”, and they are not afraid to mix the straightforwardness of punk with the subtlety of singer/songwriting. They have toured with Robbie Williams, Gary Clark Jr and Brandi Carlile, and have released four albums and two EPs.

I had the chance to see them live at the Cambridge Folk Festival, where they played on Stage 2 on Saturday, July 29th. They delivered a stunning performance that captivated the audience with their energy, charisma and talent. They played songs from their latest album, Coyote and Sirens, as well as some older favourites like “One Horse Down” and “Fall Among Thieves”. They also covered some classics by Led Zeppelin, Fleetwood Mac and The Beatles, giving them their own twist.

The sisters have amazing chemistry on stage, and they interacted with the crowd with humour and warmth. They also showcased their impressive vocal skills, switching between lead and harmony parts effortlessly. Their instruments sounded great together, creating a rich and dynamic sound that filled the tent. They used a variety of effects and loops to add layers and textures to their songs, making them sound fresh and original.

Baskery are one of the most exciting bands I have ever seen live, and I would highly recommend them to anyone who loves folk, rock or anything in between. They are definitely preferable to Abba, in my opinion. They are a band that deserves more recognition and exposure, and I hope they will come back to Cambridge soon.

Niteworks

Niteworks, a band from the Isle of Skye, delivered a stunning performance at the Cambridge Folk Festival 2023. They closed the stage on Saturday night with a fusion of bagpipes, drums and keyboards that had the crowd dancing and cheering. Their music is a blend of traditional Gaelic songs and modern electronic beats, creating a unique and captivating sound. They were joined by the talented Beth Malcolm, who added her haunting vocals to one of their tracks. She sang in both English and Gaelic, showcasing her versatility and range. The highlight of the show was their rendition of “Air Fàir an Là”, a song that celebrates the beauty of Skye and its people. The band and Beth Malcolm received a standing ovation from the audience, who were clearly impressed by their talent and energy. Niteworks are a fabulous band that deserve more recognition and appreciation for their innovative and inspiring music. They are one of the best acts to come out of Scotland in recent years.

Gallery

Cambridge Folk Festival, Friday

Posted on July 28, 2023 by SteveOctober 11, 2023

28 July 2023

The Cambridge Folk Festival kicked off its second day with a late start, giving the attendees plenty of time to catch the bus and enjoy the ride. On my way to the festival, I met a colourful storyteller who had performed at Glastonbury in the kid’s field. He entertained me and the other passengers with his interactive stories that involved remembering the order of some animals. It was a fun way to test our memory and imagination. A good Alzheimer test?

I arrived at the festival site and headed to Stage 3, formerly known as the Club stage. This name change had caused some discontent among some long-term folk fans, who felt that the management was ignoring their feedback and losing the charm of the festival.

Stage 3 featured some lesser-known artists who showcased their talent and diversity. I watched a couple of acts there and was impressed by their originality and passion.

Heather Ferrier

First up was Heather Ferrier who was a remarkable performer who combined tap dancing and accordion playing in a dazzling display of skill and rhythm. She played a variety of tunes, from traditional folk songs to modern pop hits, while tapping her feet in perfect sync. She also engaged the audience with her witty banter and charming personality. She was a joy to watch and listen to.

Maddie Morris

The stage was then taken over by Maddie Morris, a solo folk singer who captivated the audience with her guitar and storytelling skills. She sang songs that reflected her personal experiences and social issues, such as gender equality, mental health, and environmental activism. She also shared some anecdotes and insights between the songs, making the listeners feel connected and inspired. She was a powerful and authentic voice of folk music. Unfortunately, my time was limited because I wanted to see Symbio for the second time.

Symbio

But Symbio’s enchanting journey didn’t stop there. As the festival’s energy lingered in the air, the duo found themselves enthralling an intimate audience within the marquee at the Coldham Common campsite. Here, their music found an even deeper connection, wrapping around listeners like a comforting embrace, resonating within the cozy confines.

Symbio’s performances were more than just musical interludes; they were journeys of the soul. The intricacies of the hurdy-gurdy and the harmonious dance of accordion and kickbox demonstrated the boundless potential of folk instruments in the hands of true artisans. Their presence at both Stage 2 and the campsite marquee marked a pivotal moment in the annals of the Cambridge Folk Festival, etching Symbio’s name into the hearts of all who had the privilege to bear witness.

Jinda Biant

Jinda Biant is a singer-songwriter who blends blues, folk, and Indian classical music into a unique and captivating sound. He started his musical journey by playing tabla at a young age, and later picked up the guitar and learned from the legends of blues and rock. He released his debut album “Restless” in 2022, which featured his powerful vocals, slide guitar, and stomp box. He also appeared on BBC Radio 1’s Huw Stephen’s Show and gained recognition for his originality and talent.

This year, Jinda Biant performed at the Cambridge Folk Festival, one of the longest running and most famous folk festivals in the world. The festival, which started in 1965, showcases a diverse and eclectic mix of music from different genres and cultures.

Jinda Biant is a rising star in the folk scene and was a must-see act at the Cambridge Folk Festival. His live performance was electrifying, inspiring, and unforgettable. Don’t miss your chance to see him in action and witness his musical journey.

I took a break from the music and explored the festival grounds. There were gardens of colourful flowers, a pond with ducks, and some smaller stages with different acts. I tried to snap a picture of a duck at the pond, but it was not easy. Then I returned to Stage 1 for the last four performances.

Eliza Carthy – The Restitution

Eliza Carthy, one of the most impressive and engaging performers of her generation, performed at the Cambridge Folk Festival in 2023 .

Eliza Carthy had been twice nominated for the Mercury Prize and had won numerous other accolades over her 20-year career. She had performed and recorded with a diverse array of artists including Paul Weller, Rufus and Martha Wainwright, Patrick Wolf, and Bob Neuwirth . Eliza Carthy had revitalized folk music more than most and captured the most hardened of dissenters with intelligent, charismatic, and boundary-crossing performance.

Eliza grew up immersed in the world of traditional music. She still divided her time between touring and recording with her legendary parents, Martin Carthy and Norma Waterson, as well as engaging in numerous pioneering solo and band projects. In what had become something of a parallel career, Eliza had co-presented the BBC Radio 3 World Music Awards, been a regular guest-presenter on the BBC Radio 2 Mark Radcliffe Show and had made many appearances on BBC TVs ‘Later with Jools’. In her own right, Eliza had been the subject of an hour-long ITV documentary (‘Heaven & Earth’) and ‘My Music’ on Channel 5.

Eliza Carthy performed with her band ‘The Restitution’ at the festival on Friday, July 28th. The Restitution band was known for its splendid performances that were sure to leave you spellbound.

In conclusion, Eliza Carthy’s performance at the Cambridge Folk Festival was one that I didn’t want to miss. With her captivating voice and engaging performances, she was sure to leave me wanting more.

Lady Blackbird shines at the Cambridge Folk Festival 2023.

The Cambridge Folk Festival 2023 was a memorable event for many reasons, but one of the highlights was the performance of Lady Blackbird, the rising star of soul and jazz music. She sang fantastically, captivating the audience with her powerful voice and emotional delivery. Her backing group, composed of some of the best musicians in the scene, proved very rewarding, providing a solid and dynamic accompaniment to her vocals. Lady Blackbird performed songs from her debut album, Black Acid Soul, as well as some covers of classic tunes by Nina Simone, Billie Holiday, and Aretha Franklin. She received a standing ovation from the crowd, who cheered and clapped for more. A very good performance from her indeed.

Arrested Development

Arrested Development brought their unique blend of hip-hop, soul, funk and Afrocentric vibes to the Cambridge Folk Festival, delighting the crowd with their energetic and uplifting performance. The band, formed in Atlanta in 1988, played a mix of their classic hits and new material, showcasing their political and socially conscious lyrics.

Arrested Development proved that they are still relevant and innovative, as they incorporated elements of jazz, blues, gospel and rock into their sound. They also interacted with the crowd, sharing stories and messages of positivity and empowerment. The band received a standing ovation from the fans, who appreciated their musical diversity and authenticity.

The Proclaimers

The Cambridge Folk Festival is supposed to be a celebration of folk and world music, but this year it made a huge mistake by inviting the Proclaimers to headline the main stage on Friday night. The Proclaimers are a Scottish duo who have been milking their one-hit wonder, I’m Gonna Be (500 Miles), for decades. The Proclaimers seemed to be playing every festival around this year, but they should have known better than to show up at Cambridge. Their performance was out of place.

Back at the Campsite

Back at the campsite Symbio were weaving their magic for the third time. A stayed and listened with a pint in my hand.

Gallery

Cambridge Folk Festival, Thursday

Posted on July 27, 2023 by SteveOctober 11, 2023

27 July 2023

After a short break, it was back to festivals. I have three in a row. The first is a four-day event at Cambridge. The Cambridge Folk Festival has been held annually since 1965 with a small Covid break. It is held at Cherry Hinto Hall, with extra camping at Coldham Common. I was going on my own, Rosemary did not want to participate, and I was allowed to go on my own. I would meet up with some uni friends for one day on Saturday.

I arrived at Coldhams common at 1.30 and was placed in the main camper van section. Previously I had been positioned along the hedge.

Once set up and ready to go, I headed off to catch the bus to Cherry Hinton Hall. The free bus services (well paid for in the ticket price) is fast and often. I soon arrived on site, refreshed myself with some beer and went to search for some music. I have created a list of bands to see, and those to avoid at all costs. This was done through creating a music play list on YouTube music, and the fabulous crowd populated site called Clash Finder. This allows you to rate the bands, find the clashes, and finally take notes of what you saw. It runs excellently on full screen Web browsers, and as a webapp from a shortcut on your mobile phone.

Gnoss

In the heart of summer, as the sun-kissed fields of Cambridge resonated with the harmony of tradition and innovation, one band stood out among the myriad musical talents that graced the stages of the renowned Cambridge Folk Festival in 2023. Hailing from Scotland’s rich folk heritage, Gnoss delivered a captivating performance on Stage 2 that left audiences both entranced and invigorated.

Gnoss, a quartet comprised of Aidan Moodie (vocals, guitar), Graham Rorie (fiddle, mandolin), Connor Sinclair (flute, whistles), and Craig Baxter (bodhrán, percussion), embody a youthful spirit deeply rooted in the folk traditions of their homeland. The band’s name, derived from the Scottish word for “a fleeting glimpse or glance,” serves as an apt metaphor for their music—a fleeting glimpse into the past, intertwined with a contemporary flair.

As they stepped onto Stage 2 at the Cambridge Folk Festival, Gnoss immediately forged a connection with their audience. The intricate interplay between fiddle and flute, guitar and mandolin, created a musical tapestry that transcended time and space. The band effortlessly bridged the gap between ancient ballads and original compositions, evoking a sense of nostalgia while also breathing new life into traditional melodies.

Gnoss’ performance was a testament to their deep respect for folk traditions. Their renditions of traditional tunes were imbued with a level of authenticity that showcased their reverence for the musical ancestors who came before them. Yet, it was their original compositions that truly demonstrated their prowess as contemporary folk musicians. The melodies and lyrics of these original pieces wove stories of love, loss, and the human experience, resonating with listeners on a profound level.

What set Gnoss apart was their ability to seamlessly blend tradition with innovation. The spirited rhythms of the bodhrán were juxtaposed against the intricate harmonies of the mandolin, creating a dynamic soundscape that defied categorization. The band’s vocals, delivered with an earnestness that reflected their connection to the lyrics, were punctuated by instrumental solos that showcased their technical prowess.

In an age where musical genres often become rigid boundaries, Gnoss stands as a shining example of the possibilities that arise when artists embrace both their cultural heritage and their creative instincts. Their performance at the Cambridge Folk Festival reminded us that music is a living, breathing entity that evolves with each new generation of musicians. It’s a reminder that the melodies of the past can find new homes in the hearts of those who carry them forward.

As the sun began to set and the stage lights bathed Gnoss in a warm glow, their final notes hung in the air, carrying with them a sense of camaraderie that united the performers and the audience. The applause that followed was not just a celebration of a remarkable performance, but a recognition of the power of music to transcend time and bring people together.

Gnoss left an indelible mark on the Cambridge Folk Festival in 2023, their melodies echoing long after the final chords had faded. Their performance was a testament to the enduring magic of folk music—a genre that has the unique ability to transport us to bygone eras while inspiring us to forge new paths. And in this delicate balance between tradition and innovation, Gnoss found their place, reminding us that in the world of music, the past and the present are harmoniously entwined.

Symbio

In a harmonious convergence of melodies and folkloric fusion, the band Symbio took the stage by storm not once, but twice at the revered Cambridge Folk Festival in 2023. This Swedish duo, comprising Johannes Geworkian Hellman on the enchanting hurdy-gurdy and LarsEmil Öjeberget wielding both the spirited accordion and the rhythmic kickbox, captivated audiences with their unparalleled artistry.

On Stage 2, under the open sky of musical camaraderie, Symbio’s ethereal tunes resonated through the festival grounds, weaving a tapestry of sounds that transcended borders and genres. The haunting yet uplifting notes of the hurdy-gurdy, masterfully handled by Hellman, blended seamlessly with the evocative tones of Öjeberget’s accordion, creating an atmosphere that transported listeners to a realm of pure sonic enchantment.

Ibibio Sound Machine

It was a warm summer evening in Cambridge, and the crowd was buzzing with anticipation. They had come to see one of the most exciting bands on the folk scene, Ibibio Sound Machine, who blended African and electronic elements into a unique and infectious sound. The band had been formed in London by producers Max Grunhard, Leon Brichard, and Benji Bouton, who were inspired by the golden era of West African funk and disco, as well as modern post-punk and electro. They had recruited singer Eno Williams, whose mother was from the Ibibio people of Nigeria, and whose lyrics were based on folk stories and proverbs from her heritage. The band also featured guitarist Alfred Bannerman, percussionist Afla Sackey, drummer Joseph Amoako, bassist Philip PK Ambrose, trombonist Tony Hayden, trumpeter Scott Baylis, and saxophonist Max Grunhard.

The band took the stage with a burst of energy, and launched into their first song, “Let’s Dance”, which was also their debut single released in 2014 on Soundway Records. The song was a catchy invitation to join the party, with a driving beat, funky horns, and Eno’s soaring vocals. The crowd responded with enthusiasm, clapping and dancing along. The band followed with more songs from their self-titled first album, such as “The Talking Fish”, “The Tortoise”, and “Woman of Substance”, which showcased their diverse influences and styles. The band also played songs from their second album, Uyai, which was released in 2017 on Merge Records. Uyai means “beauty” in Ibibio, and the album explored themes of empowerment, liberation, and identity. Some of the highlights were “Give Me a Reason”, a protest song about the Chibok girls’ abduction in Nigeria; “The Pot is On Fire”, a celebration of life and music; and “One That Lights Up”, a tribute to Eno’s mother.

The band’s performance was electrifying, and they had the crowd in the palm of their hand. They mixed traditional instruments like the talking drum and the ekwe with synthesizers and drum machines, creating a sound that was both familiar and futuristic. They also interacted with the audience, telling stories behind their songs, cracking jokes, and teaching them some words in Ibibio. The crowd loved it, and sang along with Eno when she taught them the chorus of “I Need You to Be Sweet Like Sugar”, a sweet love song from their latest album Electricity, which was released in 2022 and produced by Hot Chip5. The album was praised by critics for its bright, buoyant, and innovative sound.

The band ended their set with a bang, playing their hit song “Electricity”, which was also the title track of their new album. The song was a blast of pure joy, with a catchy hook, a groovy bass line, and a horn section that sounded like a brass band. The crowd went wild, jumping up and down, waving their hands in the air, and singing along with Eno. The band thanked the crowd for their support and left the stage to thunderous applause. They delivered an unforgettable show that left everyone feeling energized and happy. They had proven once again why they were one of the best bands on the folk scene today.