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Cambridge Folk Festival, Sunday

Blasdale Home Posted on July 30, 2023 by SteveOctober 11, 2023

30 July 2023

Oi Va Voi

Oi Va Voi, the London-based band that blends klezmer, dance, indie rock and alt-folk, delivered a stunning performance at the Cambridge Folk Festival 2023. The band, which has been active since 2000, showcased their musical versatility and wanderlust. The audience was captivated by the band’s energy and charisma, as well as the virtuosity of their musicians, especially violinist Anna Phoebe. The band received a standing ovation at the end of their set, and left the crowd wanting more. Oi Va Voi proved once again why they are one of the most innovative and exciting bands in the world music scene.

Jenny Colquitt

Jenny Colquitt is a rising star in the Americana scene, with a strong and expressive voice, impactful lyrics and winning melodies1. She was named as one of RnR Magazine’s ‘Ones to Watch’ in 2022 and won the FATEA ‘Female Artist of the Year’ award in 2021/20223. She performed on the Den stage at the Cambridge Folk Festival 2023, showcasing her talent and charm to a captivated audience.

One of the highlights of her set was the song Little Blue Boy, a lullaby-inspired tune that tells the story of a boy who falls asleep under a haystack while his animals wander off. The song has a gentle and soothing melody, with acoustic guitar and harmonica accompaniment. Colquitt’s vocals are sweet and tender, conveying the affection and concern for the sleeping boy. The song also has a touch of humour, as the animals try to wake him up but fail. The song is based on the traditional nursery rhyme Little Boy Blue, but Colquitt adds her own twist and flair to it.

Little Blue Boy is a song that showcases Colquitt’s ability to craft engaging and memorable songs, with a blend of folk, pop and Americana influences. It is a song that appeals to both children and adults, as it evokes nostalgia, innocence and warmth. Colquitt’s performance of Little Blue Boy on the Den stage was a delight to watch and listen to, and it left the audience wanting more.

The Chair

f you are looking for a band that can make you dance, laugh and sing along, then you should not have missed The Chair at the Cambridge Folk Festival 2023. The Chair is an eight-piece band from Orkney that plays a fusion of folk, blues, rock, dub and klezmer music with a lot of energy and humour. They have been described as a “must-see festival band” and a “rampant ruckus of fiddles, banjos, accordions and drums”. Their latest album, Orkney Monster, is a tribute to the mythical beast that is said to lurk in the waters around their home island. The album features catchy tunes, witty lyrics. The Chair will played on stage 2 on Sunday at 4:30 pm. I did not regret seeing them, as The Chair delivered a show that left me breathless and exhilarated. The Chair is one of the highlights of the Cambridge Folk Festival 2023, and I am gladd I did not miss them!

Akram AbdulFattah

I had the pleasure of attending the Cambridge Folk Festival on Sunday, July 30th, 2023, and one of the highlights of the day was the performance of Akram Abdulfattah, a young Palestinian-American violinist who mesmerized the audience with his unique and innovative music style. He played with his quartet “Awan”, which means “time” in Arabic, and they blended jazz with middle eastern and Indian influences, creating a rich and diverse musical experience. Akram Abdulfattah is a virtuoso on the violin, and he showcased his skills and versatility in every song. He also introduced each piece with a brief explanation of its origin and inspiration, giving us a glimpse into his culture and vision. He received national and international recognition for his talent and creativity, winning several prestigious awards. He also expressed his desire to use instrumental music as a tool to introduce the world to the Palestinian rich culture, legacy, and folklore. His performance was captivating, inspiring, and uplifting, and I highly recommend anyone who loves music to check him out. He is a rising star in the folk scene, and I look forward to hearing more from him in the future.

Hollie Cook

Hollie Cook is a singer and keyboardist who blends reggae, pop, and soul with a tropical flair. She has been making waves in the music scene since her debut album in 2011, and has collaborated with artists like Prince Fatty, Ian Brown, and Jamie T. She is also the daughter of Sex Pistols drummer Paul Cook, and the goddaughter of Boy George.

On Saturday, July 29, 2023, she graced the Stage 2 of the Cambridge Folk Festival, one of the longest running and most famous folk festivals in the world. The festival, which takes place in the grounds of Cherry Hinton Hall, offers a diverse and eclectic line-up of folk and roots music from across the globe.

Hollie Cook delivered a captivating performance that showcased her unique style and voice. She sang songs from her latest album, Happy Hour, which was released in 2022 and features a mix of upbeat and mellow tracks. She also performed some of her older hits, such as “Body Beat”, “That Very Night”, and “Tiger Balm”.

The audience was enchanted by her charisma and energy, and sang along to her catchy choruses. She interacted with the crowd, telling stories and jokes between songs. She also expressed her gratitude for being part of the festival, and praised the other artists who were playing on the same stage.

Hollie Cook proved that she is a versatile and talented artist who can blend different genres and influences into her own distinctive sound. She brought a tropical breeze to the Cambridge Folk Festival, and left the audience wanting more. She is definitely one to watch in the reggae scene, and beyond.

Elephant Sessions

The Elephant Sessions are a Scottish indie-folk band that have won several awards for their energetic and innovative music. They blend traditional instruments like fiddle, mandolin and guitar with drums, bass and synths to create a sound that is both fresh and rooted in their heritage. They played on stage 1 of the Cambridge Folk Festival on Sunday, July 30, 2023, and delivered a stunning performance that had the crowd dancing and cheering. Their set included songs from their latest album, What Makes You, as well as some older favourites like Wet Field Day and Lament for Lost Dignity. They also surprised the audience with a cover of The Proclaimers’ I’m On My Way, which they dedicated to their fellow Scots who were headlining the festival. The Elephant Sessions proved that they are one of the most exciting and original bands on the folk scene today, and left the fans wanting more.

Angelique Kidjo

Angélique Kidjo is one of the greatest artists in international music today, a creative force with thirteen albums to her name. She performed at the Cambridge Folk Festival 2023 on Sunday, July 30, at the Cherry Hinton Hall2. Here is a short review of her show:

Angélique Kidjo dazzled the audience with her vibrant and eclectic mix of musical influences, from West African traditions to American R&B, funk and jazz. She sang in multiple languages, including her native Fon, Yoruba and French, as well as English and Spanish. She also paid tribute to some of her musical heroes, such as Miriam Makeba, Celia Cruz and Nina Simone. She invited the crowd to join her in singing and dancing, creating a joyful and energetic atmosphere. She also shared stories of her life and activism, expressing her passion for women’s rights, education and environmental issues. She ended her show with a stunning rendition of her hit song “Agolo”, which earned her a standing ovation from the festival-goers. Angélique Kidjo proved once again why she is called “Africa’s premier diva” by Time Magazine.

Gallery

Cambridge Folk Festival 2023
Cambridge Folk Festival 2023
Cambridge Folk Festival 2023
Cambridge Folk Festival 2023
Cambridge Folk Festival 2023
Cambridge Folk Festival 2023
Cambridge Folk Festival 2023
Cambridge Folk Festival 2023
Cambridge Folk Festival 2023
Cambridge Folk Festival 2023
Cambridge Folk Festival 2023
Cambridge Folk Festival 2023
Cambridge Folk Festival 2023
Cambridge Folk Festival 2023
Cambridge Folk Festival 2023
Cambridge Folk Festival 2023
Cambridge Folk Festival 2023
Cambridge Folk Festival 2023
Cambridge Folk Festival 2023
Cambridge Folk Festival 2023
Cambridge Folk Festival 2023
Cambridge Folk Festival 2023
Cambridge Folk Festival 2023
Cambridge Folk Festival 2023
Cambridge Folk Festival 2023
Cambridge Folk Festival 2023
Cambridge Folk Festival 2023
Cambridge Folk Festival 2023
Cambridge Folk Festival 2023
Cambridge Folk Festival 2023
Cambridge Folk Festival 2023
Cambridge Folk Festival 2023
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Cambridge Folk Festival 2023
Cambridge Folk Festival 2023
Cambridge Folk Festival 2023
Cambridge Folk Festival 2023
Cambridge Folk Festival 2023
Cambridge Folk Festival 2023

Posted in Cambridge | Tagged Akram AbdulFattah, Angelique Kidjo, Cambridge, Cambridge Folk Festival, Elephant Sessions, Hollie Cook, Jenny Colquitt, Oi Va Voi, The Chair | Leave a reply

Cambridge Folk Festival, Friday

Blasdale Home Posted on July 28, 2023 by SteveOctober 11, 2023

28 July 2023

The Cambridge Folk Festival kicked off its second day with a late start, giving the attendees plenty of time to catch the bus and enjoy the ride. On my way to the festival, I met a colourful storyteller who had performed at Glastonbury in the kid’s field. He entertained me and the other passengers with his interactive stories that involved remembering the order of some animals. It was a fun way to test our memory and imagination. A good Alzheimer test?

I arrived at the festival site and headed to Stage 3, formerly known as the Club stage. This name change had caused some discontent among some long-term folk fans, who felt that the management was ignoring their feedback and losing the charm of the festival.

Stage 3 featured some lesser-known artists who showcased their talent and diversity. I watched a couple of acts there and was impressed by their originality and passion.

Heather Ferrier

First up was Heather Ferrier who was a remarkable performer who combined tap dancing and accordion playing in a dazzling display of skill and rhythm. She played a variety of tunes, from traditional folk songs to modern pop hits, while tapping her feet in perfect sync. She also engaged the audience with her witty banter and charming personality. She was a joy to watch and listen to.

Maddie Morris

The stage was then taken over by Maddie Morris, a solo folk singer who captivated the audience with her guitar and storytelling skills. She sang songs that reflected her personal experiences and social issues, such as gender equality, mental health, and environmental activism. She also shared some anecdotes and insights between the songs, making the listeners feel connected and inspired. She was a powerful and authentic voice of folk music. Unfortunately, my time was limited because I wanted to see Symbio for the second time.

Symbio

But Symbio’s enchanting journey didn’t stop there. As the festival’s energy lingered in the air, the duo found themselves enthralling an intimate audience within the marquee at the Coldham Common campsite. Here, their music found an even deeper connection, wrapping around listeners like a comforting embrace, resonating within the cozy confines.

Symbio’s performances were more than just musical interludes; they were journeys of the soul. The intricacies of the hurdy-gurdy and the harmonious dance of accordion and kickbox demonstrated the boundless potential of folk instruments in the hands of true artisans. Their presence at both Stage 2 and the campsite marquee marked a pivotal moment in the annals of the Cambridge Folk Festival, etching Symbio’s name into the hearts of all who had the privilege to bear witness.

Jinda Biant

Jinda Biant is a singer-songwriter who blends blues, folk, and Indian classical music into a unique and captivating sound. He started his musical journey by playing tabla at a young age, and later picked up the guitar and learned from the legends of blues and rock. He released his debut album “Restless” in 2022, which featured his powerful vocals, slide guitar, and stomp box. He also appeared on BBC Radio 1’s Huw Stephen’s Show and gained recognition for his originality and talent.

This year, Jinda Biant performed at the Cambridge Folk Festival, one of the longest running and most famous folk festivals in the world. The festival, which started in 1965, showcases a diverse and eclectic mix of music from different genres and cultures.

Jinda Biant is a rising star in the folk scene and was a must-see act at the Cambridge Folk Festival. His live performance was electrifying, inspiring, and unforgettable. Don’t miss your chance to see him in action and witness his musical journey.

I took a break from the music and explored the festival grounds. There were gardens of colourful flowers, a pond with ducks, and some smaller stages with different acts. I tried to snap a picture of a duck at the pond, but it was not easy. Then I returned to Stage 1 for the last four performances.

Eliza Carthy – The Restitution

Eliza Carthy, one of the most impressive and engaging performers of her generation, performed at the Cambridge Folk Festival in 2023 .

Eliza Carthy had been twice nominated for the Mercury Prize and had won numerous other accolades over her 20-year career. She had performed and recorded with a diverse array of artists including Paul Weller, Rufus and Martha Wainwright, Patrick Wolf, and Bob Neuwirth . Eliza Carthy had revitalized folk music more than most and captured the most hardened of dissenters with intelligent, charismatic, and boundary-crossing performance.

Eliza grew up immersed in the world of traditional music. She still divided her time between touring and recording with her legendary parents, Martin Carthy and Norma Waterson, as well as engaging in numerous pioneering solo and band projects. In what had become something of a parallel career, Eliza had co-presented the BBC Radio 3 World Music Awards, been a regular guest-presenter on the BBC Radio 2 Mark Radcliffe Show and had made many appearances on BBC TVs ‘Later with Jools’. In her own right, Eliza had been the subject of an hour-long ITV documentary (‘Heaven & Earth’) and ‘My Music’ on Channel 5.

Eliza Carthy performed with her band ‘The Restitution’ at the festival on Friday, July 28th. The Restitution band was known for its splendid performances that were sure to leave you spellbound.

In conclusion, Eliza Carthy’s performance at the Cambridge Folk Festival was one that I didn’t want to miss. With her captivating voice and engaging performances, she was sure to leave me wanting more.

Lady Blackbird shines at the Cambridge Folk Festival 2023.

The Cambridge Folk Festival 2023 was a memorable event for many reasons, but one of the highlights was the performance of Lady Blackbird, the rising star of soul and jazz music. She sang fantastically, captivating the audience with her powerful voice and emotional delivery. Her backing group, composed of some of the best musicians in the scene, proved very rewarding, providing a solid and dynamic accompaniment to her vocals. Lady Blackbird performed songs from her debut album, Black Acid Soul, as well as some covers of classic tunes by Nina Simone, Billie Holiday, and Aretha Franklin. She received a standing ovation from the crowd, who cheered and clapped for more. A very good performance from her indeed.

Arrested Development

Arrested Development brought their unique blend of hip-hop, soul, funk and Afrocentric vibes to the Cambridge Folk Festival, delighting the crowd with their energetic and uplifting performance. The band, formed in Atlanta in 1988, played a mix of their classic hits and new material, showcasing their political and socially conscious lyrics.

Arrested Development proved that they are still relevant and innovative, as they incorporated elements of jazz, blues, gospel and rock into their sound. They also interacted with the crowd, sharing stories and messages of positivity and empowerment. The band received a standing ovation from the fans, who appreciated their musical diversity and authenticity.

The Proclaimers

The Cambridge Folk Festival is supposed to be a celebration of folk and world music, but this year it made a huge mistake by inviting the Proclaimers to headline the main stage on Friday night. The Proclaimers are a Scottish duo who have been milking their one-hit wonder, I’m Gonna Be (500 Miles), for decades. The Proclaimers seemed to be playing every festival around this year, but they should have known better than to show up at Cambridge. Their performance was out of place.

Back at the Campsite

Back at the campsite Symbio were weaving their magic for the third time. A stayed and listened with a pint in my hand.

Gallery

Cambridge Folk Festival 2023
Cambridge Folk Festival 2023
Cambridge Folk Festival 2023
Cambridge Folk Festival 2023
Cambridge Folk Festival 2023
Cambridge Folk Festival 2023
Cambridge Folk Festival 2023
Cambridge Folk Festival 2023
Cambridge Folk Festival 2023
Cambridge Folk Festival 2023
Cambridge Folk Festival 2023
Cambridge Folk Festival 2023
Cambridge Folk Festival 2023
Cambridge Folk Festival 2023
Cambridge Folk Festival 2023
Cambridge Folk Festival 2023
Cambridge Folk Festival 2023
Cambridge Folk Festival 2023
Cambridge Folk Festival 2023
Cambridge Folk Festival 2023
Cambridge Folk Festival 2023
Cambridge Folk Festival 2023
Cambridge Folk Festival 2023
Cambridge Folk Festival 2023
Cambridge Folk Festival 2023
Cambridge Folk Festival 2023
Cambridge Folk Festival 2023
Cambridge Folk Festival 2023
Cambridge Folk Festival 2023
Cambridge Folk Festival 2023
Cambridge Folk Festival 2023
Cambridge Folk Festival 2023
Cambridge Folk Festival 2023

Posted in Cambridge, Rock, Uncategorized | Tagged Arrested Development, Cambridge Folk Festival, Eliza Carthy, Heather Ferrier, Jinda Biant, Lady Blackbird, Maddie Morris, Symbio, The Proclaimers | Leave a reply

Cambridge Folk Festival, Thursday

Blasdale Home Posted on July 27, 2023 by SteveOctober 11, 2023

27 July 2023

After a short break, it was back to festivals. I have three in a row. The first is a four-day event at Cambridge. The Cambridge Folk Festival has been held annually since 1965 with a small Covid break. It is held at Cherry Hinto Hall, with extra camping at Coldham Common. I was going on my own, Rosemary did not want to participate, and I was allowed to go on my own. I would meet up with some uni friends for one day on Saturday.

I arrived at Coldhams common at 1.30 and was placed in the main camper van section. Previously I had been positioned along the hedge.

Once set up and ready to go, I headed off to catch the bus to Cherry Hinton Hall. The free bus services (well paid for in the ticket price) is fast and often. I soon arrived on site, refreshed myself with some beer and went to search for some music. I have created a list of bands to see, and those to avoid at all costs. This was done through creating a music play list on YouTube music, and the fabulous crowd populated site called Clash Finder. This allows you to rate the bands, find the clashes, and finally take notes of what you saw. It runs excellently on full screen Web browsers, and as a webapp from a shortcut on your mobile phone.

Gnoss

In the heart of summer, as the sun-kissed fields of Cambridge resonated with the harmony of tradition and innovation, one band stood out among the myriad musical talents that graced the stages of the renowned Cambridge Folk Festival in 2023. Hailing from Scotland’s rich folk heritage, Gnoss delivered a captivating performance on Stage 2 that left audiences both entranced and invigorated.

Gnoss, a quartet comprised of Aidan Moodie (vocals, guitar), Graham Rorie (fiddle, mandolin), Connor Sinclair (flute, whistles), and Craig Baxter (bodhrán, percussion), embody a youthful spirit deeply rooted in the folk traditions of their homeland. The band’s name, derived from the Scottish word for “a fleeting glimpse or glance,” serves as an apt metaphor for their music—a fleeting glimpse into the past, intertwined with a contemporary flair.

As they stepped onto Stage 2 at the Cambridge Folk Festival, Gnoss immediately forged a connection with their audience. The intricate interplay between fiddle and flute, guitar and mandolin, created a musical tapestry that transcended time and space. The band effortlessly bridged the gap between ancient ballads and original compositions, evoking a sense of nostalgia while also breathing new life into traditional melodies.

Gnoss’ performance was a testament to their deep respect for folk traditions. Their renditions of traditional tunes were imbued with a level of authenticity that showcased their reverence for the musical ancestors who came before them. Yet, it was their original compositions that truly demonstrated their prowess as contemporary folk musicians. The melodies and lyrics of these original pieces wove stories of love, loss, and the human experience, resonating with listeners on a profound level.

What set Gnoss apart was their ability to seamlessly blend tradition with innovation. The spirited rhythms of the bodhrán were juxtaposed against the intricate harmonies of the mandolin, creating a dynamic soundscape that defied categorization. The band’s vocals, delivered with an earnestness that reflected their connection to the lyrics, were punctuated by instrumental solos that showcased their technical prowess.

In an age where musical genres often become rigid boundaries, Gnoss stands as a shining example of the possibilities that arise when artists embrace both their cultural heritage and their creative instincts. Their performance at the Cambridge Folk Festival reminded us that music is a living, breathing entity that evolves with each new generation of musicians. It’s a reminder that the melodies of the past can find new homes in the hearts of those who carry them forward.

As the sun began to set and the stage lights bathed Gnoss in a warm glow, their final notes hung in the air, carrying with them a sense of camaraderie that united the performers and the audience. The applause that followed was not just a celebration of a remarkable performance, but a recognition of the power of music to transcend time and bring people together.

Gnoss left an indelible mark on the Cambridge Folk Festival in 2023, their melodies echoing long after the final chords had faded. Their performance was a testament to the enduring magic of folk music—a genre that has the unique ability to transport us to bygone eras while inspiring us to forge new paths. And in this delicate balance between tradition and innovation, Gnoss found their place, reminding us that in the world of music, the past and the present are harmoniously entwined.

Symbio

In a harmonious convergence of melodies and folkloric fusion, the band Symbio took the stage by storm not once, but twice at the revered Cambridge Folk Festival in 2023. This Swedish duo, comprising Johannes Geworkian Hellman on the enchanting hurdy-gurdy and LarsEmil Öjeberget wielding both the spirited accordion and the rhythmic kickbox, captivated audiences with their unparalleled artistry.

On Stage 2, under the open sky of musical camaraderie, Symbio’s ethereal tunes resonated through the festival grounds, weaving a tapestry of sounds that transcended borders and genres. The haunting yet uplifting notes of the hurdy-gurdy, masterfully handled by Hellman, blended seamlessly with the evocative tones of Öjeberget’s accordion, creating an atmosphere that transported listeners to a realm of pure sonic enchantment.

Ibibio Sound Machine

It was a warm summer evening in Cambridge, and the crowd was buzzing with anticipation. They had come to see one of the most exciting bands on the folk scene, Ibibio Sound Machine, who blended African and electronic elements into a unique and infectious sound. The band had been formed in London by producers Max Grunhard, Leon Brichard, and Benji Bouton, who were inspired by the golden era of West African funk and disco, as well as modern post-punk and electro. They had recruited singer Eno Williams, whose mother was from the Ibibio people of Nigeria, and whose lyrics were based on folk stories and proverbs from her heritage. The band also featured guitarist Alfred Bannerman, percussionist Afla Sackey, drummer Joseph Amoako, bassist Philip PK Ambrose, trombonist Tony Hayden, trumpeter Scott Baylis, and saxophonist Max Grunhard.

The band took the stage with a burst of energy, and launched into their first song, “Let’s Dance”, which was also their debut single released in 2014 on Soundway Records. The song was a catchy invitation to join the party, with a driving beat, funky horns, and Eno’s soaring vocals. The crowd responded with enthusiasm, clapping and dancing along. The band followed with more songs from their self-titled first album, such as “The Talking Fish”, “The Tortoise”, and “Woman of Substance”, which showcased their diverse influences and styles. The band also played songs from their second album, Uyai, which was released in 2017 on Merge Records. Uyai means “beauty” in Ibibio, and the album explored themes of empowerment, liberation, and identity. Some of the highlights were “Give Me a Reason”, a protest song about the Chibok girls’ abduction in Nigeria; “The Pot is On Fire”, a celebration of life and music; and “One That Lights Up”, a tribute to Eno’s mother.

The band’s performance was electrifying, and they had the crowd in the palm of their hand. They mixed traditional instruments like the talking drum and the ekwe with synthesizers and drum machines, creating a sound that was both familiar and futuristic. They also interacted with the audience, telling stories behind their songs, cracking jokes, and teaching them some words in Ibibio. The crowd loved it, and sang along with Eno when she taught them the chorus of “I Need You to Be Sweet Like Sugar”, a sweet love song from their latest album Electricity, which was released in 2022 and produced by Hot Chip5. The album was praised by critics for its bright, buoyant, and innovative sound.

The band ended their set with a bang, playing their hit song “Electricity”, which was also the title track of their new album. The song was a blast of pure joy, with a catchy hook, a groovy bass line, and a horn section that sounded like a brass band. The crowd went wild, jumping up and down, waving their hands in the air, and singing along with Eno. The band thanked the crowd for their support and left the stage to thunderous applause. They delivered an unforgettable show that left everyone feeling energized and happy. They had proven once again why they were one of the best bands on the folk scene today.

Gallery

Cambridge Folk Festival 2023
Cambridge Folk Festival 2023
Cambridge Folk Festival 2023
Cambridge Folk Festival 2023
Cambridge Folk Festival 2023
Cambridge Folk Festival 2023
Cambridge Folk Festival 2023
Cambridge Folk Festival 2023
Cambridge Folk Festival 2023
Cambridge Folk Festival 2023
Cambridge Folk Festival 2023
Cambridge Folk Festival 2023
Cambridge Folk Festival 2023
Cambridge Folk Festival 2023
Cambridge Folk Festival 2023
Cambridge Folk Festival 2023

Posted in Cambridge, Rock | Tagged Cambridge Folk Festival, Gnoss, Ibibio Sound Machine, Symbio | Leave a reply

Cambridge Folk Festival the Sunday

Blasdale Home Posted on July 31, 2022 by SteveJanuary 7, 2023

31st July 2022

The tolilets and showers were holding up at the campsite. The new generator, and waste water pumps were working well. Today we headed in early because R wanted to do a craft course and weave some willow into a shape. When she arrived she was disappointed in that most of the work had been done already. There did not seem to be much opportunity to tailor the course to your own needs. We moved on to the arena, stopping by the wild flower gardens.

Sunday Performances

We sat again in a similar place to before, but a little further back. There appeared to be rules depending on where you were located. In the tent/marquee area you could only stand or sit on the ground. Outside the tent you could or were expected to sit on chairs. These had be aligned in rows. If you created a round circle group, you were reprimanded and had to align your chairs in a row. Further back, behind a line, you could group your chairs in circles. There was one such group near us. We heard about the rules only when this group was told to line up their chairs. They refused and reminded the usher that they were behind said line at which she apologised and moved on.

I am not sure if this group actually saw or heard music, they spent their time chatting and drinking.

Programme

We watched and listened to all the bands on this stage. Enjoyed listening to Billy Bragg and N’famady Kouyaté. The Gypsy Kings were definitely very popular. I did not make any attempt to get near the front. They performed a good rendition of the Leaonard Cohen classic of Hallelujah. After they left, the crowds significantly thinned for the finale of St. Paul and the Broken Bones. I managed to get to front of the stage to watch them.

Main Stage 1

St. Paul and the Broken Bones – Gipsy Kings featuring Nicolas Reyes – Billy Bragg – Legend Slot: Clannad – N’famady Kouyaté – The Spooky Men’s Chorale – Billie Marten Katherine Priddy

Main Stage 2

Orchestra Baobab – Christone ‘Kingfish’ Ingram – Sam Lee – O’Hooley And Tidow -Lilith Ai – The Mary Wallopers – The Honest Poet – Mishra – Kids Show: Jason Maverick

The Club Tent

The Mary Wallopers – Trials Of Cato – Nick Hart – Flo Perlin

The Den

Fuzzy Lights – The Drystones – The Ocelots – Siv Jakobsen – Angeline Morrison – Judy Blank – Tape Runs Out – Daisy Chute – June Road

N’famady Kouyaté

St. Paul and the Broken Bones

Gallery

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Cambridge Folk Festival
Posted in Cambridge, Entertainment, Uncategorized | Tagged Cambridge Folk Festival, N’famady Kouyaté | Leave a reply

Cambridge Folk Festival the Saturday

Blasdale Home Posted on July 30, 2022 by SteveJanuary 7, 2023

30th July 2022

Another fine day for the festival. Today we were meeting up with Andrea and Richard again, but this time at the festival. So, we plonked ourselves outside the arena where we could place our chairs and listen to the bands in peace. Drinking, eating and several jugs of Pimms.

Saturday Performances

You can see a number of bands from the previous day performing on various stages tonight. We spent the day on the main stage, making excursions to the food stalls, the bar and the loos.

Programme

Main Stage 1

Chico Trujillo – Passenger – Afro Celt Sound System – Spell Songs – This Is The Kit – The Young’uns – VRï – The Magpie Arc

Main Stage 2

Dustbowl Revival – Elephant Sessions – Flook – Admiral Fallow – Elles Bailey – The Spooky Men’s Chorale – Julie Fowlis – Festival Session with Brian McNeill – Urban Folk Theory’s Silent Live Ceilidh Band

The Club Tent

Gasper Nali – Lady Nade – Maddie Morris – Feis Rois – Gwenifer Raymond – Eve Goodman

The Den

Bandits On The Run – Becoming Branches – Limerance – Katie Spencer – Memorial – Moore & Moss – Burd Ellen – Jodie Nicholson – The People Versus – Zoe Bestel

The Magpie Arc

VRï

This is the Kit

Afro Celt Sound System

Gallery

Cambridge Folk Festival
Cambridge Folk Festival
Cambridge Folk Festival
Cambridge Folk Festival
Cambridge Folk Festival
Cambridge Folk Festival
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Cambridge Folk Festival
Cambridge Folk Festival
Cambridge Folk Festival
Cambridge Folk Festival
Cambridge Folk Festival
Cambridge Folk Festival
Cambridge Folk Festival
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Cambridge Folk Festival
Cambridge Folk Festival
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Cambridge Folk Festival
Cambridge Folk Festival
Cambridge Folk Festival
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Cambridge Folk Festival
Cambridge Folk Festival
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Cambridge Folk Festival
Cambridge Folk Festival
Cambridge Folk Festival
Posted in Cambridge, Entertainment | Tagged Afro Celt Sound System, Cambridge Folk Festival, Fitzwilliam Museum, The Magpie Arc, This is the Kit, VRï | Leave a reply

Cambridge Folk Festival the Friday

Blasdale Home Posted on July 29, 2022 by SteveJanuary 7, 2023

29th July 2022

The toilet failure had progressed, the showers were flooded, I managed to get a shower, but as Rosemary entered the shower, the electric pumps made one last spluttering sound and fell into silence. There was a small additional toilet block in operation, but it soon failed. Lots of complaining is going on.

I watched the small caravan next to us with a degree of envy – they had a toilet & a shower, and, better still, a bacon & eggs cooked breakfast.

Today, we caught the festival bus to Cherry Hinton Park, and then waited for a bus to take us into Cambridge city. We met up with Richard and Andrea for a visit to the Fitzwilliam Museum for the Hockney’s Eye: The Art and Technology of Depiction. We were overly impressed with the images and the understanding of their perspectives. We had tea and lunch before Rosemary, and I headed back to Cherry Hinton and the Folk Festival.

After the main act we headed back to the campsite. New equipment, generators, had been installed and the showers and toilets were back in action.

David Hockney Beach Umbrella
David Hockney - Tall Dutch Trees After Hobbema
David Hockney California Bank
David Hockney: Huggate's St. Mary's Church Spire
David Hockney, Le Parc des Sources, Vichy
David Hockney, Annunciation 2
David Hockney Self-portrait
David Hockney - Portrait of Sir David Webster
David Hockney - Portrait of Martin Gayford

Friday Performances

It was another warm, sunny, dry day. We spent much of the afternoon sheltering from the sun under a tree, with brief sorties to the stage to take some pictures. We saw all the bands from Findlay to Seasick Steve on the main stage. No pictures of Findlay. I did make some sorties to buy Rosemary refreshing Pimms.

Programme

Main Stage 1

Seasick Steve – Suzanne Vega – Dustbowl Revival – Spiers and Boden – Findlay – Show Of Hands – Tapestri – The Copper Family

Main Stage 2

Show Of Hands – The Magpie Arc – The Breath – Ballet Folk: The Tears of Jenny Greenteeth – Simon Care Trio ceilidh – The Young’uns – VRï – Stumpy Oak – Maynard Flip Flop

The Club Tent

Trousdale – Ferris & Sylvester – Brian McNeil – Jinda Biant – Conchur White – Songlines Interview with Spiers and Boden

The Den

Bess Atwell – Nati Dreddd – Bird In The Belly – Pearl Fish – Rachel Croft – Cynefin – Guise John Dhali – Ceitidh Mac – Loris and The Lion

Findlay

Spiers and Boden

Dustbowl Revival

As the evening progressed, the music became better, Dustbowl Revival were definitely worth watching.

Suzanne Vega

I said the music was getting better, seems the Cambridge Folk Festival put the headliner on as the one before the finale. So here was Susan Vega, the headliner. It was very crowded, and I couldn’t get to the front. But I didn’t like her. I really don’t like this type of music. After Suzanne, there was Seasick Steve, much better. I saw him a couple of times before. Why no videos of him. Not at all sure. Maybe I was enjoying myself too much.

Gallery

Cambridge Folk Festival
Cambridge Folk Festival
Cambridge Folk Festival
Cambridge Folk Festival
Cambridge Folk Festival
Cambridge Folk Festival
Cambridge Folk Festival
Cambridge Folk Festival
Cambridge Folk Festival
Cambridge Folk Festival
Cambridge Folk Festival
Cambridge Folk Festival
Cambridge Folk Festival
Cambridge Folk Festival
Cambridge Folk Festival
Cambridge Folk Festival
Cambridge Folk Festival
Cambridge Folk Festival
Cambridge Folk Festival
Cambridge Folk Festival
Cambridge Folk Festival
Cambridge Folk Festival
Cambridge Folk Festival
Cambridge Folk Festival
Cambridge Folk Festival
Posted in Cambridge, Entertainment | Tagged Cambridge Folk Festival, Dustbowl Revival, Findlay, Fitzwilliam Museum, Hockney, Spiers and Boden, Suzanne Vega | Leave a reply

Cambridge Folk Festival the Thursday

Blasdale Home Posted on July 28, 2022 by SteveJanuary 7, 2023

28th July 2022

Rosemary and I attended the Cambridge Folk Festival at Cherry Hinton Hall. This runs from Thursday through Sunday. We arrived at Coldham Common in Morrison the campervan and set up camp, parking near the boundary hedge. I had parked along this border three years before. Coldham Common is where the vans and the majority of the camping takes place. Some camping is available at Cherry Hinton. There is a free bus which takes you from Coldham Common to Cherry Hinton and back. It is a regular and fast service. Even when the evening ends and everyone is leaving, there is only a short wait for the bus.

At Coldham Common there are toilets and showers, some catering and a bar.

Once we had parked and finished unpacking, we headed to Cherry Hinton to see some performances. Thursday is not a major day, and the Main Stage 1 is not running with the technicians still completing its construction. The bars are open, food is available, and the small club stage is open. We sat in the sun, drunk a beer and watched the Morris Dancers.

After watching the bands, we headed back to the campsite. Here at the campsite, not all was well. There was a problem with the toilets. They were blocked. As a man I could take a wee, the women had loos full of poo.

Thursday Performances

On Thursday there were no big performers playing, some players were also playing on other days as well. Thursday is a low-key day, and not everyone will come to see the evening’s performances. I did want to see Beans on Toast, but other than that we dipped in an out of performances.

Programme

Main Stage 2

Spiers and Boden – Davina & The Vagabonds – Samantha Crain – Janice Burns & Jon Doran

The Club Tent

Steve Adams – Tapestri – Beans On Toast – Joshua Burnell – The English Fiddle Ensemble

The Den

Flint Moore – Hannah Lou Clark – Old Man Boom – The Mardlers – Mahogany Tales

Morris Dancers

The Morris Dancers performed outside the main bar. They actually performed throughout the whole weekend, occupying various locations on the festival site. I have not been able to identify who they were.

Janice Burns & Jon Doran

We watched Janice Burns & Jon Doran at the club tent, an Anglo Scottish duo who play traditional music. The music was nice folk music.

Beans On Toast

A must see was the musician going by the name Beans on Toast. It is rumoured he has played Glastonbury more times than Coldplay or any other band. I first saw him this year at Glastonbury where he was playing the Truth Stage. He was accompanied by a couple of guitarists.

Tapestri

Tapestri are a bilingual Folk group from Wales.

Gallery

Cambridge Folk Festival
Cambridge Folk Festival
Cambridge Folk Festival
Cambridge Folk Festival
Cambridge Folk Festival
Cambridge Folk Festival
Cambridge Folk Festival
Cambridge Folk Festival
Cambridge Folk Festival
Cambridge Folk Festival
Cambridge Folk Festival
Cambridge Folk Festival
Cambridge Folk Festival
Cambridge Folk Festival
Cambridge Folk Festival
Cambridge Folk Festival
Cambridge Folk Festival
Cambridge Folk Festival
Cambridge Folk Festival
Posted in Cambridge, Entertainment | Tagged Beans on Toast, Cambridge Folk Festival, Janice Burns & Jon Doran, Morris Dancers, Tapestri | 2 Replies

Cambridge Folk Festival – Sunday

Blasdale Home Posted on August 4, 2019 by SteveNovember 5, 2019

Last day at the Folk Festival. I was on my own most of Sunday. Richard and Andrea appeared after visiting Simon’s brother’s garden. Though we did separate again as my musical taste was different from their’s. Was a good day with a couple of bands I really enjoyed, Imarhan from Algeria playing some Desert Rock, and Jimmy Reed playing the blues.

“Roo Panes “has been described by Uncut as a ‘Britfolk pin-up’”. A bit too folky for me.

Roo Panes

“Folk music’s legendary triumvirate of musical magpies Mike McGoldrick, John Doyle and John McCusker are out on the road again in 2019. As winter turns to spring Mike, John & John will wrap up their stint on Transatlantic Sessions for another year and bring you their own blend of top-class folk songs, tunes and charming bonhomie.”  Again, a bit on the folky side for me.

Cambridge Folk Festival 2019 McGoldrick, McCusker & Doyle

Imarhan is an Algerian Tuareg desert rock quintet formed in 2006, in Tamanrasset, Algeria. Their first and eponymous album was released on German record label City Slang in 2016. I loved their music, they were on a tour of the world.

Imarhan

“Storytelling is something of a Texas tradition. Tall hats and even taller tales are woven into the fabric of The Lone Star State, and singer-songwriter, Jarrod Dickenson can spin a yarn with the best of them. Hailing from Waco, now based in Nashville via Brooklyn, Dickenson spends most of his time on the road bringing his own particular brand of soulful Americana to a wide variety of music-loving audiences around the globe.”

Jarrod Dickenson

Next on was Lil’ Jimmy Reed, playing the blues. One of the original Louisiana bluesmen. At 80 years old he navigated the steps on and off stage with dexterity. He was accompanied by Bob Hall and Bob’s wife Hilary Blythe playing bass. Excellent!!

Lil Jimmy Reed

“Bound together by lifelong friendship and shared experience for more than 25 years, The Fisherman’s Friends met on the Platt (harbour) in their native Port Isaac to raise money for charity, singing the traditional songs of the sea handed down to them by their forefathers.”

Fisherman’s Friends
Cambridge Folk Festival 2019
Cambridge Folk Festival 2019
Cambridge Folk Festival 2019
Cambridge Folk Festival 2019
Cambridge Folk Festival 2019
Cambridge Folk Festival 2019
Cambridge Folk Festival 2019
Cambridge Folk Festival 2019
Cambridge Folk Festival 2019
Cambridge Folk Festival 2019
Cambridge Folk Festival 2019
Cambridge Folk Festival 2019
Cambridge Folk Festival 2019
Cambridge Folk Festival 2019
Cambridge Folk Festival 2019
Cambridge Folk Festival 2019
Posted in Cambridge, Rock | Tagged Cambridge Folk Festival, Imarhan, isherman’s Friends, Jarrod Dickenson, Jimmy Reed, John Doyle, John McCusker, Mike McGoldrick, Roo Panes, Sad Gits | Leave a reply

Cambridge Folk Festival – Saturday

Blasdale Home Posted on August 3, 2019 by SteveNovember 4, 2019

Today was the main get together of the Sadgits at the Folk Festival. Mike, Reiko & Simon added to our numbers today. We got two tables together where we camped out for most of the afternoon, drinking beer and Pimms and eating curry.

First I watched Nancy and James who are apparently among the best-known British acts working today. Voted “Best Duo” twice at the BBC Folk Awards, “Nancy and James brought their captivating live sound, along with their first-ever live album, recorded over two nights in the winter of 2018”.

Nancy Kerr, James Fagan and Friends

Kathryn Tickell on Northumbrian smallpipes, fiddle, voice, Cormac Byrne on percussion, Joe Truswell on drums, Kate Young on fiddle, voice, Amy Thatcher on accordion, synths, voice, clog dancing, Kieran Szifris on octave mandolin, musicians from Northumberland, Scotland, Ireland and England “invoke the dark, powerful, sounds of Ancient Northumbria and broadcast them to the modern world”. 

Kathryn Tickell Cambridge Folk Festival 2019

“Mad Dog Mcrea blends a unique mixture of folk-rock, pop, gypsy jazz, bluegrass and ‘shake your ass’ music. From self-penned songs of adventure, drinking, love and life, to traditional songs of gypsies, fairies, legless pirates and black flies – Mad Dog never fail to capture their audience with their infectious songs. In constant demand and having played just about every festival and two-bit, jibe-arsed dive in Christendom, Mad Dog Mcrea are, in every sense of the word, a live, band. “

Mad Dog Mcrae Cambridge Folk Festival 2019

Finally ended up eating a late-night meal before heading back to the campsite.

Cambridge Folk Festival 2019
Cambridge Folk Festival 2019
Cambridge Folk Festival 2019
Cambridge Folk Festival 2019
Cambridge Folk Festival 2019
Cambridge Folk Festival 2019
Cambridge Folk Festival 2019
Posted in Cambridge, Rock | Tagged Cambridge Folk Festival, Festivals, James Fagan, Kathryn Tickell, Mad Dog Mcrea, Nancy Kerr, sadgits | Leave a reply

Cambridge Folk Festival – Friday

Blasdale Home Posted on August 2, 2019 by SteveNovember 3, 2019

The first day set the trend for the rest of the week. Up fairly early for a shower, to try and miss the queues, then breakfast. Then the bus ride to the festival. The heading off never quite occurred on time, always ended up chatting with my neighbours from London. I thought they were late risers, but no, they were up early as well but went swimming in the nearby pool.

Typically I would arrive at the festival at midday and have my second breakfast, bacon and egg breakfast, with a beer to wash the food down, sitting at the main bar, waiting for Sadgits to arrive. Then I would wait for Ravi, Jo, Callum, Andrea and Richard to arrive. Today was a lovely warm sunny day, and much of the time was spent drinking, eating and chatting with a few musical interludes.

My quotes are from the website to act as a prompt to me about the various acts

RURA, “one of the most exciting bands on the Scottish folk scene”, had already played on Thursday, but were also playing today. RURA “are a multi-award-winning act, and one of Scotland’s most sought-after folk-based bands, with three heralded albums – most recently In Praise of Home.”

RURA

Not sure Ben Caplan chose the best shirt to perform in, not loose so by the end of the gig you could see it was dripping wet from perspiration. Ben Caplan “explores themes of immigration, loss, darkness, love, sex, and God”. I absolutely loved his song, Plough the Shit.

Ben Caplan

The final band for the night was Graham Nash. Unfortunately, I was way back from the stage. Each song was proceeded by a story which explained the time and events that helped in the creation of the song. Some very interesting stories.

I read the news today, Marrakesh Express, Love the one you’re with, Cathedral, Our House
Chicago, Teach your Children
Cambridge Folk Festival 2019
Cambridge Folk Festival 2019
Cambridge Folk Festival 2019
Cambridge Folk Festival 2019
Cambridge Folk Festival 2019
Cambridge Folk Festival 2019
Cambridge Folk Festival 2019
Cambridge Folk Festival 2019
Cambridge Folk Festival 2019
Cambridge Folk Festival 2019
Cambridge Folk Festival 2019
Cambridge Folk Festival 2019
Cambridge Folk Festival 2019
Cambridge Folk Festival 2019
Cambridge Folk Festival 2019
Cambridge Folk Festival 2019
Cambridge Folk Festival 2019
Cambridge Folk Festival 2019
Posted in Cambridge, Rock | Tagged Ben Caplan, Cambridge Folk Festival, Graham Nash, RURA, sadgits | Leave a reply

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