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Cambridge Folk Festival, Thursday

Blasdale Home Posted on September 30, 2023 by SteveOctober 2, 2023

27 July 2023

After a short break, it was back to festivals. I have three in a row. The first is a four-day event at Cambridge. The Cambridge Folk Festival has been held annually since 1965 with a small Covid break. It is held at Cherry Hinto Hall, with extra camping at Coldham Common. I was going on my own, Rosemary did not want to participate, and I was allowed to go on my own. I would meet up with some uni friends for one day on Saturday.

I arrived at Coldhams common at 1.30 and was placed in the main camper van section. Previously I had been positioned along the hedge.

Once set up and ready to go, I headed off to catch the bus to Cherry Hinton Hall. The free bus services (well paid for in the ticket price) is fast and often. I soon arrived on site, refreshed myself with some beer and went to search for some music. I have created a list of bands to see, and those to avoid at all costs. This was done through creating a music play list on YouTube music, and the fabulous crowd populated site called Clash Finder. This allows you to rate the bands, find the clashes, and finally take notes of what you saw. It runs excellently on full screen Web browsers, and as a webapp from a shortcut on your mobile phone.

Gnoss

In the heart of summer, as the sun-kissed fields of Cambridge resonated with the harmony of tradition and innovation, one band stood out among the myriad musical talents that graced the stages of the renowned Cambridge Folk Festival in 2023. Hailing from Scotland’s rich folk heritage, Gnoss delivered a captivating performance on Stage 2 that left audiences both entranced and invigorated.

Gnoss, a quartet comprised of Aidan Moodie (vocals, guitar), Graham Rorie (fiddle, mandolin), Connor Sinclair (flute, whistles), and Craig Baxter (bodhrán, percussion), embody a youthful spirit deeply rooted in the folk traditions of their homeland. The band’s name, derived from the Scottish word for “a fleeting glimpse or glance,” serves as an apt metaphor for their music—a fleeting glimpse into the past, intertwined with a contemporary flair.

As they stepped onto Stage 2 at the Cambridge Folk Festival, Gnoss immediately forged a connection with their audience. The intricate interplay between fiddle and flute, guitar and mandolin, created a musical tapestry that transcended time and space. The band effortlessly bridged the gap between ancient ballads and original compositions, evoking a sense of nostalgia while also breathing new life into traditional melodies.

Gnoss’ performance was a testament to their deep respect for folk traditions. Their renditions of traditional tunes were imbued with a level of authenticity that showcased their reverence for the musical ancestors who came before them. Yet, it was their original compositions that truly demonstrated their prowess as contemporary folk musicians. The melodies and lyrics of these original pieces wove stories of love, loss, and the human experience, resonating with listeners on a profound level.

What set Gnoss apart was their ability to seamlessly blend tradition with innovation. The spirited rhythms of the bodhrán were juxtaposed against the intricate harmonies of the mandolin, creating a dynamic soundscape that defied categorization. The band’s vocals, delivered with an earnestness that reflected their connection to the lyrics, were punctuated by instrumental solos that showcased their technical prowess.

In an age where musical genres often become rigid boundaries, Gnoss stands as a shining example of the possibilities that arise when artists embrace both their cultural heritage and their creative instincts. Their performance at the Cambridge Folk Festival reminded us that music is a living, breathing entity that evolves with each new generation of musicians. It’s a reminder that the melodies of the past can find new homes in the hearts of those who carry them forward.

As the sun began to set and the stage lights bathed Gnoss in a warm glow, their final notes hung in the air, carrying with them a sense of camaraderie that united the performers and the audience. The applause that followed was not just a celebration of a remarkable performance, but a recognition of the power of music to transcend time and bring people together.

Gnoss left an indelible mark on the Cambridge Folk Festival in 2023, their melodies echoing long after the final chords had faded. Their performance was a testament to the enduring magic of folk music—a genre that has the unique ability to transport us to bygone eras while inspiring us to forge new paths. And in this delicate balance between tradition and innovation, Gnoss found their place, reminding us that in the world of music, the past and the present are harmoniously entwined.

Symbio

In a harmonious convergence of melodies and folkloric fusion, the band Symbio took the stage by storm not once, but twice at the revered Cambridge Folk Festival in 2023. This Swedish duo, comprising Johannes Geworkian Hellman on the enchanting hurdy-gurdy and LarsEmil Öjeberget wielding both the spirited accordion and the rhythmic kickbox, captivated audiences with their unparalleled artistry.

On Stage 2, under the open sky of musical camaraderie, Symbio’s ethereal tunes resonated through the festival grounds, weaving a tapestry of sounds that transcended borders and genres. The haunting yet uplifting notes of the hurdy-gurdy, masterfully handled by Hellman, blended seamlessly with the evocative tones of Öjeberget’s accordion, creating an atmosphere that transported listeners to a realm of pure sonic enchantment.

Ibibio Sound Machine

It was a warm summer evening in Cambridge, and the crowd was buzzing with anticipation. They had come to see one of the most exciting bands on the folk scene, Ibibio Sound Machine, who blended African and electronic elements into a unique and infectious sound. The band had been formed in London by producers Max Grunhard, Leon Brichard, and Benji Bouton, who were inspired by the golden era of West African funk and disco, as well as modern post-punk and electro. They had recruited singer Eno Williams, whose mother was from the Ibibio people of Nigeria, and whose lyrics were based on folk stories and proverbs from her heritage. The band also featured guitarist Alfred Bannerman, percussionist Afla Sackey, drummer Joseph Amoako, bassist Philip PK Ambrose, trombonist Tony Hayden, trumpeter Scott Baylis, and saxophonist Max Grunhard.

The band took the stage with a burst of energy, and launched into their first song, “Let’s Dance”, which was also their debut single released in 2014 on Soundway Records. The song was a catchy invitation to join the party, with a driving beat, funky horns, and Eno’s soaring vocals. The crowd responded with enthusiasm, clapping and dancing along. The band followed with more songs from their self-titled first album, such as “The Talking Fish”, “The Tortoise”, and “Woman of Substance”, which showcased their diverse influences and styles. The band also played songs from their second album, Uyai, which was released in 2017 on Merge Records. Uyai means “beauty” in Ibibio, and the album explored themes of empowerment, liberation, and identity. Some of the highlights were “Give Me a Reason”, a protest song about the Chibok girls’ abduction in Nigeria; “The Pot is On Fire”, a celebration of life and music; and “One That Lights Up”, a tribute to Eno’s mother.

The band’s performance was electrifying, and they had the crowd in the palm of their hand. They mixed traditional instruments like the talking drum and the ekwe with synthesizers and drum machines, creating a sound that was both familiar and futuristic. They also interacted with the audience, telling stories behind their songs, cracking jokes, and teaching them some words in Ibibio. The crowd loved it, and sang along with Eno when she taught them the chorus of “I Need You to Be Sweet Like Sugar”, a sweet love song from their latest album Electricity, which was released in 2022 and produced by Hot Chip5. The album was praised by critics for its bright, buoyant, and innovative sound.

The band ended their set with a bang, playing their hit song “Electricity”, which was also the title track of their new album. The song was a blast of pure joy, with a catchy hook, a groovy bass line, and a horn section that sounded like a brass band. The crowd went wild, jumping up and down, waving their hands in the air, and singing along with Eno. The band thanked the crowd for their support and left the stage to thunderous applause. They delivered an unforgettable show that left everyone feeling energized and happy. They had proven once again why they were one of the best bands on the folk scene today.

Gallery

Cambridge Folk Festival 2023
Cambridge Folk Festival 2023
Cambridge Folk Festival 2023
Cambridge Folk Festival 2023
Cambridge Folk Festival 2023
Cambridge Folk Festival 2023
Cambridge Folk Festival 2023
Cambridge Folk Festival 2023
Cambridge Folk Festival 2023
Cambridge Folk Festival 2023
Cambridge Folk Festival 2023
Cambridge Folk Festival 2023
Cambridge Folk Festival 2023
Cambridge Folk Festival 2023
Cambridge Folk Festival 2023
Cambridge Folk Festival 2023

Posted in Uncategorized | Leave a reply

Wells Farm, BBOWT Reserve

Blasdale Home Posted on July 12, 2023 by SteveAugust 9, 2023

12th July 2023

We visited Wells Farm in Little Milton. This was an organised trip by BBOWT. The reserve is a working farm, managed on a traditional rotation basis. The hedge margins are more than six meters wide, giving plenty of habitat for insects and birds. The fields have a mixture of soils. from chalk to sand and wet clay. Walking the fields, it became obvious as the soil types changed.

We were given tea and coffee in the Little Milton village hall. A wonderful village hall with an integral community run post office, shop and cafe.

The fields had many flowers and insects. The bird life was sparse, but then there was a group of 40 plus people walking around. It would be interesting to spend time there quietly.

BBOWT have the land on a 999-year lease, on the condition it is managed as an environmental farm. The lease was gifted to them by the previous owner. One does wonder how we could survive if all agriculture was performed in this same way…..

BBOWT - Wells Farm
BBOWT - Wells Farm
BBOWT - Wells Farm
BBOWT - Wells Farm
Posted in Oxfordshire, Uncategorized | Tagged BBOWT, Little Milton | Leave a reply

Glastonbury Festival 2023

Blasdale Home Posted on June 26, 2023 by SteveAugust 9, 2023

21st June 2023 – 26th June 2023

Glastonbury Festival 2023

Glastonbury Festival 2023

This was my 13th Glastonbury Festival. I first started going to Glastonbury in 1998, and then 1999. I still have the T-shirts which I wore to Glastonbury. A few suitable comments were made by other festival goers. I took a break for a few years and started attending again. I’ve been to every Glastonbury held since 2009. The Glastonbury Festivals I have been to are 1998, 1999, 2009, 2010, 2011, 2013, 2014 ,2015, 2016, 2017, 2019, 2022, 2023.

This year was another dry Glastonbury. A week or so before Glastonbury, showers were expected during the show. As the date neared, the rain disappeared from the forecasts. Those who arrived on Tuesday were rained upon. I arrived on Wednesday, and it was dry and hot throughout the whole festival, with only one exception of a very small shower early on Monday morning.

I drove to Glastonbury in my EV on Wednesday, arriving in the early afternoon. Stopped for a coffee and a quick charge on route. The Blue route, taken by campervans, was empty with no delays. I arrived at Love Fields and was soon installed in my yurt. Love Fields has installed a large building, called The Barn, replacing the Teepee for breakfasts and meals. Breakfasts served downstairs, and cocktails upstairs. The bar and stage area lower down the fields were still in place.

Met up with Ed, Mary, her brother, and Jon while they were still on shift at the Silver Hayes area. Afterwards we had a few drinks, and then watched the opening fireworks. This evening we wandered around spending time in the Green Fields. I was back in Love Fields at 4am.

Thursday

Some bands were playing today in the small venues. I started off at the Rabbit Hole, watching Prima Queen, and then spent most of my time at the Bread and Roses, listening to small bands, such as Duo, The Love Buzz, Frankie Morrow, N’Famady Kouyate. I rushed over to the Southwest corner to see some metal, but the place was so packed I gave up and returned to the principal areas. It’s a shame I somehow missed the Vlure playing at Bread and Roses. Not to worry, the Glasgow band was playing again on another day.

Friday

The main days of the festival open. I started off with an exercise class run by Joe Wicks. Twenty-five minutes, plus a warmup session beforehand. I met up with Ed and Mary, it was their day off. After a while I went my own way and headed to West Holts stage. It is my favourite area, good cider, decent food and good music. I watched Louis Cole, Young Fathers and the headline act Kelis.

Saturday

The first band of the day was The Last Dinner Party at Woodsies (the new name for the John Peel Stage). Here I met Mark and his daughter. They were standing two rows in front of me. After this show I rushed back to the Greenpeace Stage to watch N’Famady Kouyate., again. He was playing five shows during Glastonbury and had won the emerging talent show at the Pilton Working Mens Club. Then it was Sudan Archives before rushing over to see Vlure at BBC Introducing. At the Other Stage, I watched the Manic Street Preachers, Plenty of room. Next for me was Guns and Roses on the Pyramid stage. I was disheartened because the area looked full for Lizzo. But after Lizzo finished, space opened up and I was able to find room in front of the barrier. Despite the reviews, the show was enjoyable, the crowd were ecstatic. Rumours circulated that Paul McCartney may come on to sing Live and Let Die. This did not happen. Shame it would have been a nice touch. After the headline act, I went on over to The Glade to watch the The Steve Hillage Band.

Sunday

Already I was nearing the end of the festival. First off was a hike up to the Crow’s Nest to see Professor Alice Robers with Rebecca Wragg Sykes talk about early humans and archaeology. Now back to normal, The Chicks at the Pyramid Stage, Bird on the Wire: The Songs of Leonard Cohen at the Acoustic Stage, followed by a fabulous show by Toyah Willcox and Robert Fripp. I wasn’t going to miss the Mongolian Metal band, The Hu, at the West Holts. Saw them at Download. I then watched Barrington Levy at West Holts and headed over to the Other Stage to see the end of The War On Drugs and finally Queens of the Stone Age. It was a shame for the The War On Drugs, when so many people left to get to the Pyramid Stage to watch Elton John. Queens of the Stone Age were excellent.

Monday

Pack up and leave. Join the queue on Pylle Road. This can be slow as the mobile homes are allowed out onto the road from the same exit. It took me an hour to go the few miles. Once I was on the A37, there was no problem. I did hear that some people leaving the festival from the main car parks were held up for 7 hours. I count myself lucky. What I don’t understand is that despite all the walking, I seemed to put on a kilo.

Glastonbury - Wednesday
Glastonbury - Wednesday
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Posted in Glastonbury, Rock, Uncategorized | Tagged Barrington Levy, Duo, Frankie Morrow, Glastonbury, Glastonbury2023, Guns and Roses, Kelis, Louis Cole, Manic Street Preachers, N'Famady Kouyate, Prima Queen, Queens of the Stone Age, Robert Fripp, The Chicks, The Hu, The Last Dinner Party, The Love Buzz, The Steve Hillage Band., The War On Drugs, Toyah Willcox, Vlure, Young Fathers | Leave a reply

Beating The Bounds

Blasdale Home Posted on May 16, 2023 by SteveJuly 17, 2023

16th May 2023

Beating the Bounds is a tradition where members of a parish walk around their parish boundary. In the case of Grendon Underwood this is around 15 miles. The walk is performed once every 7 years, and has a number of strange customs. Crosses are chopped into the bark of prominent trees on the boundary, failing a tree, a cross is cut into the soil.. Children are supposed to have their bottoms smacked with a spade at these locations. This is to remind them of where the boundaries are. In our woke society this becomes men and women having their turns at being beaten. Thankfully the police were not around, with their new arrest powers what would they have made of us, carrying spades ands axes along and across the HS2 line.

I have done the walk once before, twenty one years ago, in 2002., Yes I have pictures and a write up on this blog, Beating the Grendon Underwood Bounds 2002.

As you can see there were a couple of detours which added to the distance. Nesting birds neccesitated us to walk around the perimeter of the BBOWT nature reserve and not along the Tetchwick Brook. Because of newly laid concrete by HS2 we had to take a detour around the incinerator to cross HS2.

The day was an ideal walking day. No rain, a breeze and not too hot. The ground was wet underfoot, the recent sunny weather had not yet dried the land out,

We started the walk at Gallow’s Bridge, walking around the perimeter of the reserve, being led by the BBOWT warden, Ilona. (As I said, the walk along the bounday of Tetchwick Brook not being allowed because of nesting birds.)

There were a further couple of short detours from the route before we reached Edgcott, these because of unsympathetic landowners.

We stopped at Prune Farm for tea and cakes and then headed onwards to the Energy from Waste incinerator and HS2. A large detour around the incinerator, because of newly laid concrete, back on track we headed to Finemere Hill House for our packed lunches. Lovely views, but spolit by the Incinerator and the workings of HS2.

After lunch we headed on down the hill and across HS2, almost on the correct path. In all these crossinsg we were helped by four HS2 employees to ensure we didn’t tie ourselves to the trees. After that, we were back in wild Buckinghamshire walking through Grendon and Doddershall woods, stopping to view the King Tree. We met up with the Waddesddon boundary walkers at Ham Home Wood. Another welcome stop was in store for us, beer and sandwiches at Canaletto. The sandwiches kept on coming!

Now the final couple of miles and we were back at Gallow’s Bridge. in all we walked 25.4km, taking 9 hours and 20 minutes. We started at around 51 meters, and rose to a maximum altitude of 135 meters.

Google Map of the Walk

Beeating the Bounds Route on Google Maps

Link to the Google Map.

OS Map of the Walk

This is useful view, you can see where we strayed from the parish boundary. There is one tracking error in the route. I some how turned off the tracker as we exited Doddershall woods, and failed to reenable it untilwe had walked a 100 meters along the road. The Google maps track is correct.

Beating the Bounds Gallery

Grendon Underwood
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Posted in Buckinghamshire, Grendon Underwood, Kingswood, Uncategorized | Tagged Buckinghamshire, Grendon Underwood | Leave a reply

Fully Charged Show at Farnborough

Blasdale Home Posted on April 30, 2023 by SteveAugust 9, 2023

30th April 2023

I attended the Fully Charged Show at Farnborough (leaving R and her new hip behind) to take a look at the new EVs on the market. The show was mainly boycotted by the big manufacturers, leaving the space open for the new upstarts and Chinese to exhibit. I also visited to get some inspiration on what was available to generate and store electricity for the home.

I was impressed by the new wave of Chinese vehicles which are coming to market in Europe. The ORA Funky Cat was one such. One British EV also impressed me. It looked very much like what an electric Land Rover should look like. It was one hell of a beast. Built in Scotland, it is called The Munro.

There were a number of conversion companies, converting old minis and other classic cars to run on electricity.

Another company was converting the new VW ID Buzz to be a campervan. Not sure how practical this is, the van was rather small with very little storage space. Maybe, the newer van which is larger, will be a better way forward.

I did see a Rivian and the Ford 150 electric trucks. These are not sold in the UK, but a company imports them, and rents them out. Maybe a birthday treat for me??? [Oh, R has seen the rental prices. Am I worth it??]

Fully Charged Show
Fully Charged Show
Fully Charged Show
Fully Charged Show
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Fully Charged Show
Fully Charged Show
Fully Charged Show
Fully Charged Show
Fully Charged Show
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Fully Charged Show
Fully Charged Show
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Fully Charged Show
Fully Charged Show
Posted in Technology, Uncategorized | Tagged Farnborough, Fully Charged. | Leave a reply

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