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My Birthday in Cambridge

Blasdale Home Posted on November 1, 2025 by SteveNovember 1, 2025

24th October 2025

My birthday was approaching, and we’d decided months earlier to celebrate by visiting Cambridge. We planned to stay at the Camping and Caravanning Club Site in Trumpington. To enhance the trip, I’d booked tickets for a couple of shows at the Cambridge Corn Exchange.

We set off on Tuesday, making our usual stop at the Saint Neots Tesco for last-minute camping supplies.

Near Saint Neots, the ongoing bypass construction was causing some road disruption. The final section of the Norwich to Milton Keynes road was being dualled, causing delays at the Black Cat roundabout. Fortunately, the eastbound road was clear. The A1 South looked very busy, but that wasn’t our route today – though we might face it on the return journey.

Upon arrival, we selected a pitch. The site manager promptly advised us to move, as the campsite breakdown crew would be pitching nearby and were likely to have lots of people around in the evening. We immediately relocated to a pitch as far away as possible.

Wednesday and Rick Wakeman – The Return of the Caped Crusader

Morning in the City

We took the bus into Cambridge, starting the day with coffee at the Michaelhouse Café while joining a 40-minute Zoom call with the SadGits. Once our virtual catch-up was over, we had a leisurely wander through the Grand Arcade and John Lewis, soaking up the familiar buzz of the city centre before deciding it was time for lunch.

A Taste of Domaine Delhome

R had her heart set on a wine flight at the Cambridge Wine Merchants on Bridge Street, so we headed there and settled in. The flight included two whites and two reds, all from the same vineyard – Domaine Delhome. The wines were:

  • Viognier IGP Rhodannies 2023
  • Crozes-Hermitage Blanc LoEss 2023
  • Crozes-Hermitage Moziac 2023
  • Crozes-Hermitage Boreal 2022

We ordered some bread, sardines, and nibbles to go alongside and made that our lunch. Sitting outside in the gentle warmth of the last October sun, it felt wonderfully relaxed – a perfect pause in the day.

Literary Temptations

Passing by Heffers, we stopped to admire the window display for Philip Pullman’s new release – The Rose Field, the third and final instalment in The Book of Dust trilogy. Officially released on 23rd October, it looked very tempting indeed.

An Afternoon of Art

Next, we made our way to the Fitzwilliam Museum, spending much of the afternoon in the galleries of flower paintings. R was eager to revisit a particular piece she had first seen years ago during an alumni wine evening and Vice-Chancellor’s speech. The painting – a bowl of flowers so vividly realistic that insects appeared to crawl over the leaves – was still there, glowing with life and detail.

We also discovered a gallery devoted to the collection of flower paintings donated in 1973 by Henry Rogers Broughton, 2nd Lord Fairhaven. Some were extraordinary, though none quite matched the beauty of R’s favourite.

The Eagle and Its Stories

Later, we stopped at The Eagle for a pint, sitting in the historic Airmen’s Bar. During the war, Allied airmen who drank there, used wax candles, petrol lighters, and lipstick to scrawl their names, squadron numbers, and doodles across the ceiling – a moving and tangible reminder of the pub’s history. The pub is where Watson and Crick announced they had discovered ‘the secret of life’.

Supper and a Show

Dinner was at The Giggling Squid, where I had a Green Thai curry & R a stir fry. The atmosphere was calm and unhurried, mostly older diners enjoying a quiet evening. As we and a few others left, someone joked that we all clearly knew where we were heading next – and they were right.

Across the road at the Corn Exchange, Rick Wakeman was performing The Six Wives of Henry VIII and, The Myths and Legends of King Arthur and the Knights of the Round Table.

We were seated quite far back, so the view wasn’t perfect, but the performance more than made up for it. The Corn Exchange has changed so much since my student days in the 1970s, when I saw bands like Curved Air and Hawkwind there. Then it was all standing – now it’s neatly tiered seating throughout.

The concert was superb. Both albums were performed with great energy and musicianship. R preferred The Six Wives of Henry VIII, while I loved both equally. Adding to the magic was Rick’s son, Adam Wakeman – a talented musician in his own right, known for playing keyboards and guitar with Ozzy Osbourne’s band – who joined his father on stage.

A good evening and we managed to get a bus back.

Gallery

Cambridge Birthday
Cambridge Birthday
Cambridge Birthday
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Cambridge Birthday
Cambridge Birthday
Cambridge Birthday

Thursday – Curious Cures and Coffee at Caius

Today we headed out from the campsite to visit the Cambridge University Library exhibition entitled Curious Cures. The exhibition featured medical manuscripts and books from the library’s own collection, along with items from several Cambridge colleges which specialised in medicine. Together they illustrated the history of medicine — from early anatomical drawings and surgical procedures to strange and sometimes amusing remedies.

Medicine was taught at several colleges from an early date, including my own, Gonville and Caius. Some of the cures and potions on display seemed laughable by today’s standards, yet many laid the groundwork for modern medical practices. There was aninteractive quiz where you had to guess if the suggested cure was medieval or modern. Fascinating!

Coffee at Caius

After exploring the exhibition, we walked over to Caius College’s Harvey Court for coffee. There used to be a café in the students’ common room called Harvey’s, open to the public. As we made our way there, I checked Google Maps and noticed it was no longer listed, so we prepared ourselves for disappointment.

Luck, however, was on our side. In Harvey’s place we found a new coffee shop, open to the public, called Florey. Named after Howard Florey — the penicillin pioneer and former Master of Gonville & Caius — the café serves coffee and light food six days a week, providing a much-needed caffeine fix for students based near Sidgwick Site. R wanted to knmow how come students could afford to buy coffee.

Florey was opened following the closure of Harvey’s in June, after financial difficulties, despite an Instagram campaign to “Save Harvey’s Coffee House”. The name and branding may have changed, but, by all accounts, the iced matcha remains as popular as ever. Interestingly, one of the co-owners also runs the Orchard Tea Garden in Grantchester.

We enjoyed cappuccinos and very yummy, large sausage rolls before heading back towards Trumpington Street.

Books and Bodies

Our next stop was the delightfully named Bodies in the Bookshop, a small independent bookshop. R, true to form, began browsing enthusiastically and soon was buying half the shop. She mentioned the new Mr Men & LittleMiss Agatha Chrsitie themed books, published today. She bought a copy of each followed by a friendly chat with Richard, one of the owners, having been particularly impressed by knowledge and their current window display. We left as he was ordering more copies of the AC books Later, she emailed them to say how much she admired the window display — and, the next day, received a reply to say the display had since been changed. Naturally, we returned soon after to see the new version.

Heading Home

After our bookish detour, we caught an early bus back to the campsite — tired but happy after another day exploring Cambridge.

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Cambridge Birthday
Cambridge Birthday
Cambridge Birthday

Friday – A Birthday Feast at MillWorks

Today was my birthday, and we decided to celebrate with a meal at MillWorks, just as we did last year. This time the restaurant was noticeably quieter. Last year it had been packed, but even then, they had managed to find us a table.

We settled in, ordered a bottle of wine and some nibbles — padron peppers and halloumi fries — while we looked through the menu.

Starters

I began with Shetland mussels, and they were some of the best I’ve ever had — large, plump, and juicy, served in a delicious, fragrant sauce. Isit the cold waters of Shetland that make them so good? They easily outshone any mussels I’ve eaten in France, which so often arrive broken, tightly closed, or disappointingly small. R had a salad of beans, beetroot, and leaves — fresh, colourful, and beautifully presented.

Mains

For my main course, I went for the classic steak and chips. The cut was a flat iron steak — one of the cheaper cuts — but it was perfectly cooked, with a lovely crust on the outside and tender inside. R enjoyed a chicken supreme served in a mixed bean cassoulet, which she declared excellent.

Dessert and Reflections

Greedy me couldn’t resist finishing with an affogato — the perfect mix of hot espresso and melting ice cream. Our waitress was delightfully friendly and full of energy, adding to the relaxed, cheerful atmosphere of the meal. She even added a candle to my dessert!

Afterwards, we strolled back to the campsite and spent the rest of the afternoon and evening simply relaxing — content, well-fed, and a year older.

Gallery

Cambridge Birthday
Cambridge Birthday
Cambridge Birthday
Cambridge Birthday
Cambridge Birthday
Cambridge Birthday

Saturday – with the SadGits

Today we met up with Richard, Andrea, and Simon — some of the SadGits. Richard had arranged to meet at Kettle’s Yard at 1.30 p.m., where we arrived first and sat with a coffee while waiting for the others.

Richard and Andrea went on the tour of Jim and Helen Ede’s house, which we decided to skip as we’d done it recently. Instead, Simon joined us to explore the art exhibitions currently on display. There were two running side by side.

Lubaina Himid with Magda Stawarska — Another Chance Encounter

The first exhibition featured the collaborative work of Lubaina Himid and Magda Stawarska, titled Another Chance Encounter. The paintings were bright and colourful, depicting two figures in conversation — a tailor selling his fabrics and a buyer considering them. Alongside the images were fragments of dialogue and inner thoughts between the two characters.

The conversations were, to my mind, a little strange and didn’t seem to add much to the artwork itself. The paintings, however, were striking — bold and decorative. I could imagine having one or two on my walls, though I suspect they wouldn’t be to everyone’s taste.

Sophie Gaudier – Brzeska and Nina Hamnett

The second exhibition showcased the work of Sophie Gaudier-Brzeska and Nina Hamnett. Words rather failed me here — I had no real idea what it was meant to convey, and neither did R or anyone else, as far as I could tell. Sorry, but this one left us all rather puzzled.

Lunch at The Punter

Afterwards, we walked to The Punter pub for lunch — an enjoyable affair of good food, beer, and lively conversation. Once we’d eaten and caught up properly, we all headed our separate ways. For us, it was back to the campsite to unwind after another pleasant day in Cambridge.

Sunday – is the New Shopping Day

We weren’t in any great hurry to go into Cambridge today, so we had lunch in the van before setting out. Being Sunday, the bus service was reduced to just one an hour instead of the usual three. Minor panic (see on) when I noticed how early the buses stop running.

When we arrived, Cambridge was heaving with people. Our first stop was Bodies in the Bookshop, not to go inside this time but to admire their new window display. After that, we continued the tradition with tea and cake at The Copper Kettle — only a small piece, as we were planning to eat again later.

Book Browsing and Nostalgia

Next, we walked to Waterstones, where I debated whether to buy The Rose Field. In the end, I decided to wait — I really ought to reread the previous book first. Besides, I’d prefer to buy the paperback so it matches the size of the other volumes in the series.

We then browsed a couple of record (yes, record shops) shops, where I was briefly tempted to buy a vinyl record. I couldn’t find the Curved Air album I once owned — the one that, as far as I recall, was left on a record deck in Beccles after a party in 1975 and never seen again. Oddly enough, I kept the album cover for years afterwards.

More Books and New Discoveries

At Heffers, we revisited The Book of Dust display, and I also checked the shelves for titles from the authors of the The Expanse series and another author Liu Cixin, the Chinese author of The Three-Body Problem trilogy. To my delight, there were new books from both. Apparently, the authors of The Expanse are writing a new trilogy and have even set up a company to produce a television adaptation of The Captive’s War. Intriguing.

Supper at the Giggling Squid

By closing time we were politely ushered out of Heffers so we walked over to the Giggling Squid (again) for supper. We’d enjoyed it last time and R was keen to return. This time it was busier, and I think we were lucky to get a table.

I ordered a sharing platter — Bangkok Bites — while R added some Chilli Chickpeas. A fine start. I followed with a Massaman curry, while R had something equally good, though I can’t quite recall what! {She can, another stir fry.]

The Night Sky Show

After dinner, we crossed the road to the Corn Exchange for a performance called The Night Sky Show — a visual show about the night sky. This was presented by Adrian West – apparently, a “passionate and experienced astronomer, presenter and author”. It was an interesting idea, but rather low-tech and, at times, difficult to follow. Too much was left unexplained, and the show jumped between themes without much structure. It also tried a little too hard to be humorous when a more thoughtful approach might have worked better. All a little dumbed down for the masses.

That said, some of the images and video sequences were excellent — stunning shots of the Moon, Saturn, and meteor showers that were genuinely spectacular. The children near us respondedwell.

The Journey Back

As the buses stop running around six on Sundays in Cambridge, we had to take a taxi back to the campsite. It turned out to be cheaper than expected, and we hardly had to wait. Our driver arrived in a ten-year-old Tesla, still running perfectly and, he proudly told us, never once serviced. He’d driven 130,000 miles and spent only £1,000 on fuel.

Gallery

Cambridge Birthday
Giggling Squid Menu

Monday – Heading Home

It started as a lovely bright day as we packed up the van and prepared to head home. We made two stops along the way — first at Aldi, where I picked up some new work trousers, and then at IKEA, to buy plastic storage tubs (and, of course, some pickled herring for me).

To avoid the inevitable hold-ups at the Black Cat Roundabout, we took a cross-country route. Traffic on the A1 looked dreadful, and Google recommended a slower but more scenic detour through the country lanes — a pleasant way to end the trip.

The picture of me was taken with my mobile phone. I used my watch to preview the image and position myself. When I achieved the correct pose, I pressed the button to take the photo. I can see some useful applications for this.

Gallery

Cambridge Birthday
Cambridge Birthday
Cambridge Birthday

Posted in Cambridge, Theatre | Tagged Caius, Cambrudge, Millworks, Rick Wakeman, Sad Gits | Leave a reply

Bloodstock – Saturday and Machine Head

Blasdale Home Posted on August 9, 2025 by SteveOctober 19, 2025

9th August 2025

A lovely sunny day at Bloodstock. We took a walk around the arena before the bands started playing, we stopped at the Ozzy Osbourne wall to write are condolences and memories of this great singer and performer. The single ‘Paranoid’ was my second ever 45 I bought. I am not proud of my first, ‘Daydream Believer’ by the Monkeys.

Cage Fight

Cage Fight delivered an intense opening performance on the Ronnie James Dio Stage at Bloodstock 2025. The band’s metallic hardcore output was consistently aggressive, providing a rigorous start to the day for the assembled crowd.

Vocalist Rachel Aspe commanded the stage with an appreciable gravity, her presence marked by a concentrated focus. Her vocal delivery was a formidable display of control, featuring a powerful register of guttural growls and primal screams that underscored the band’s uncompromising musical foundation. The unit’s performance was notable for its sheer, unrelenting velocity.

View YouTube Video

Ba’al

Sheffield’s BA’AL delivered a set of uncompromising blackened post-metal on the Sophie Lancaster Stage at Bloodstock 2025. Known for their deeply emotive and challenging soundscapes, the quintet seamlessly blends the ferocious intensity of black metal with atmospheric, sludge-laden textures. The performance, following the release of their ambitious album The Fine Line Between Heaven and Here, showcased their complex song structures and vocalist Joe Stamps’ visceral, ranging delivery, demanding a profound emotional engagement from the audience. Their set was a testament to the band’s ascent within the UK’s extreme metal scene.

Warbringer

Californian thrash titans Warbringer delivered a masterclass in feral aggression on the Ronnie James Dio Stage. The band wasted no time, inciting massive, chaotic circle pits almost immediately with tracks like “Remain Violent.” Frontman John Kevill’s commanding stage presence was a highlight, often using his signature gasmask as a dark, unsettling prop to amplify the band’s themes of warfare and societal decay. Their high-velocity performance was a pure, unapologetic dose of old-school thrash, leaving the audience utterly drained but thoroughly satisfied. There was crowd surfing and I huge circle pit. I spotted ‘Gasmask’ in the circle pit.

View Youtube Video

Zebulon

It was mid-afternoon when we navigated our way through the ever-growing throng of metalheads and found ourselves at the New Blood Stage. This is the proving ground, the arena for emerging metal bands fiercely chasing their big break, hoping to convert a few hundred festival-goers into a dedicated following.

Zebulon took to the stage. Winners of their national ‘Metal 2 The Masses’ competition, they had sailed across the North Sea not for plunder, but to deliver a bone-crushing set of heavy, slow-burning, melodic doom.

Kristian Berge Nessa, the vocalist, immediately commanded attention. With a head of strikingly long, straight blonde hair—easily a meter in length—he was a visual spectacle. Throughout the set, as he delivered the band’s powerful, dramatic vocals and haunting melodies, he became a human whirlwind. He would spend minutes hunched over the microphone, before exploding into a flurry of motion, throwing his majestic mane back and up into the stage lights, a golden, ethereal arc against the darkness of the stage. He even confessed in a later interview to having gotten his hair snagged in an overhead spotlight—twice!—during a previous gig.

View YouTube Video

Creeper

Selina and I went to watch Creeper on the Ronnie James Dio stage, and it was easily the highlight of the weekend. The energy they brought to the main stage was incredible—the kind of set that leaves you slightly dazed and totally exhilarated. Will Gould, as always, commanded the massive crowd, and the twin guitars absolutely roared through the classic tracks. We were completely hooked, convinced we’d just seen one of the best performances of the entire festival.

The moment they finished, the decision was instant: we had to meet them. The queue for the signing tent was immense, but as a Serpants Layer ticket holders, we had priority. Everyone was buzzing. It was worth every minute of the wait just to exchange a few quick words and get those precious autographs. Now, those bold, black signatures are blue tacked to the memory wall in the loo. It’s the perfect spot—a hidden shrine that proves just how epic that hot afternoon at Bloodstock truly was.

View YouTube Video

Fear Factory

Fear Factory absolutely decimated the Bloodstock stage, delivering a high-impact, surgically precise set to celebrate the 30th anniversary of Demanufacture. Guitarist Dino Cazares, the sole original member, marshaled the industrial groove machine with characteristic ferocity. New vocalist Milo Silvestro proved his worth immediately, his dual clean and guttural delivery fitting the mechanical chaos perfectly. The band kicked off with a Terminator-style monologue before launching into an unrelenting run of classics, instantly igniting a huge circle pit. The crowd surfers kept the security at the front of the stage busy. Despite a few sound issues reported on the sides of the stage, the sheer power of tracks like “Linchpin” and the Demanufacture core turned the main arena into a churning, euphoric frenzy. A testament to the enduring power of their seminal work.

View YouTube Video

Raiders of the Lost Ark

Back in the Serpants Layer, the Pop-Up Puppet Cinema presented Raiders of the Lost Ark. So along with a few drinks, we were sutibly rested to confront the final acts of the night.

Ministry

We were quite away back to see Ministry, but relentless industrial onslaught was easy to hear were ever you were. They delivered a gloriously abrasive set.

Al Jourgensen and company smashed through a politically charged, career-spanning mix of classics including “N.W.O.,” “Just One Fix,” and “Jesus Built My Hotrod.” The performance was described as one of the band’s finest festival shows, pairing ferocious industrial metal with powerful, anti-establishment visuals. It was a flawless execution of banger after banger, leaving the audience whipped into a frenzy of industrial chaos.

View YouTube Video

Machine Head

Machine Head’s headline slot at Bloodstock 2025 was nothing short of a sensory and sonic triumph. Robb Flynn commanded the Ronnie James Dio Stage, delivering a career-spanning set that blended raw fury with deep emotion. The stage production was relentless, featuring a dizzying array of sharp, kinetic lights that cut through the darkness, complementing the explosive power.

The show climaxed with magnificent blasts of fireworks and towering jets of pyro, turning Davidian into a monumental spectacle. While the crowd surge created a chaotic, bouncy atmosphere across Catton Hall, the feeling of movement was omnipresent—even without physical cubes, the sheer energy of the pit provided the bounce. A deeply personal and visually dominant masterclass in modern heavy metal.

View YouTube Video

Static-X

The final act of the night at the Sophie Lancaster Stage at Bloodstock Open Air was the industrial metal band, Static-X.

Their performance was a high-energy spectacle, full of their signature ‘evil disco’ sound, celebrating the aggressive, groove-heavy industrial metal they pioneered. The set was a party-like atmosphere, often including material from their seminal album, Wisconsin Death Trip.

A key component of the current Static-X line-up is the mysterious masked vocalist, Xer0, who performs in a striking, robotic mask and costume, honouring the late original frontman, Wayne Static (whose signature spiky hair and chin-length beard are replicated on the mask). This visual, along with the other musicians’ dark, industrial outfits, is central to the band’s current identity.

As for the specific crowd interaction you witnessed: the use of a rubber dinghy for crowd-surfing is a memorable, chaotic, and often-seen element at metal festivals like Bloodstock. While your initial thought was a connection to the social commentary of artist Banksy regarding migrants, in the context of a high-octane metal festival, the dinghy is generally a humorous, spontaneous vehicle for fan participation, intensifying the wild, party atmosphere of a closing set. It’s a common way to celebrate the energy and communal chaos of the metal crowd, often involving a band member or a highly enthusiastic fan—sometimes even a guest vocalist, as reported in reviews for one recent Bloodstock set.

View YouTube Video

Gallery

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Bloodstock Saturday - Creeper
Bloodstock Saturday - Creeper
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Bloodstock Saturday - Creeper Signing
Bloodstock Saturday - Creeper Signing
Bloodstock Saturday - Creeper Signing
Bloodstock Saturday - Creeper Signing
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Bloodstock Saturday - Raiders of the Lost Ark
Bloodstock Saturday - Raiders of the Lost Ark
Bloodstock Saturday - Raiders of the Lost Ark
Bloodstock Saturday - Ministry
Bloodstock Saturday - Ministry
Bloodstock Saturday - Ministry
Bloodstock Saturday - Ministry
Bloodstock Saturday - Machine Head
Bloodstock Saturday - Machine Head
Bloodstock Saturday - Machine Head
Bloodstock Saturday - Machine Head
Bloodstock Saturday - Machine Head
Bloodstock Saturday - Machine Head
Bloodstock Saturday - Machine Head
Bloodstock Saturday - Machine Head
Bloodstock Saturday - Machine Head
Bloodstock Saturday - Machine Head
Bloodstock Saturday - Machine Head
Bloodstock Saturday - Machine Head
Bloodstock Saturday - Static-X
Bloodstock Saturday - Static-X

Posted in Rock | Tagged Ba'al, Bloodstock, Cage Fight, Creeper, Fear Factory, Machine Head, Ministry, Static-X, Warbringer, Zebulon | Leave a reply

Bloodstock – Friday and Trivium

Blasdale Home Posted on August 8, 2025 by SteveOctober 14, 2025

8th August 2025

A good warm, dry and sunny day. Coffee for breakfast

Ofnus

Epic, atmospheric black metal at 10:30 a.m. is always surreal, but Cardiff’s Ofnus, driven by their impressive Valediction album, handled the Sophie stage step-up with quiet confidence. The set delivered sweeping, keyboard-laced soundscapes and frenetic tremolo picking, creating an enveloping misery. They wisely front-loaded the show with colossal tracks like the mournful “Proteus.” While not suited for early-morning pit action, it was a deeply effective dose of melancholic grandeur, perfect for clearing the head. This solid, compelling performance proved they absolutely belong on a bigger stage.

View YouTube Video

Shrapnel

Norwich’s Shrapnel opened the main stage on Friday, handling the tough, early slot with professionalism. Drawing mostly from their latest album, In Gravity, the set featured their metalcore-infused sound. Frontman Daniel Moran’s energy got the morning crowd moving, effectively setting a solid, heavy tone for the rest of the day.

View YouTube Video

Famyne

Famyne’s debut on the Ronnie James Dio main stage at Bloodstock 2025 was a quiet, definitive triumph. During their early Friday slot, the Kent doomsters created a heavy, resonant soundscape, cutting through the midday heat. Vocalist Tom Vane commanded the space, anchoring the complex, melancholic riffs that felt both massive and grounded. This steady, compelling performance simply confirmed they are built for the big stage.

View YouTube Video

Bloodstock – The Battle of Bloodstock – Viking Combat

Inbetween bands, Selina and I went to watch ‘The Battle of Bloodstock‘, this is a full-contact competitive Viking combat event held annually at the Bloodstock Open Air heavy metal festival in the UK. Far from mere historical re-enactment, this is a genuine, un-choreographed athletic competition where warriors from across the country compete in one-on-one duels (known as Holmgang) and team battles to be crowned champions.

View YouTube Video

Konvent

We caught the end of Konvent, a pure, stripped-back set of crushing death-doom on the main stage.

Flotsam and Jetsam

Flotsam and Jetsam delivered a tight, no-frills masterclass in speed and precision to the Bloodstock crowd early on Friday. Despite the brief mid-afternoon slot, they maximized the energy with foundational tracks like ‘Hammerhead‘ and ‘No Place for Disgrace‘.

The production was pure, relentless energy, not flash. Frontman Eric A.K. Knutson’s vocals remained fierce, perfectly anchoring the dual guitar attack. This was comfortable, reliable classic thrash, proving the fundamentals are enough to kick the dust up at Catton Hall and set a solid bar for the day.

View YouTube Video

Paleface Swiss

Paleface Swiss, making their main stage debut on the Dio Stage, just got on with it. They delivered a predictably heavy set of bruising deathcore and jolting breakdowns.

Despite the early slot, the crowd response was significant. Avoiding theatrics, they simply unleashed pure, calculated aggression, efficiently delivering the zero-frills brutality promised. It was a strong, functional performance that moved serious dirt around Catton Park—nothing dramatic, just extremely heavy and effective.

View YouTube Video

Back in VIP Serpent’s Lair

Back in VIP Serpent’s Lair the fun was kicking off, yes it was the conga

View YouTube Video

Orange Goblin

Orange Goblin’s final festival appearance at Bloodstock Open Air was marked by professional consistency, coinciding with the conclusion of their three-decade tenure. The high-density, riff-centric stoner metal genre executed furnished the requisite aural stimulus for the audience. Subsequently, the core repertoire, featuring “Red Tide Rising” and “Scorpionica,” was delivered with considerable force, validating the ensemble’s established efficacy within the heavy metal canon of the United Kingdom.

View YouTube Video

Lacuna Coil

Lacuna Coil gave a reliably solid performance on the main stage at Bloodstock 2025, exactly what you’d expect from the Italian veterans. Despite a late start, they quickly hit their stride, opening with “Layers of Time.” Cristina Scabbia’s vocals were incredible, soaring effortlessly over the field, backed by Andrea Ferro’s gruff counterpoint. They hit all the necessary tracks, including “Our Truth” and the classic “Enjoy The Silence” cover. The set was polished and professional: no major surprises, just the consistent quality the gothic anthems demanded.

View YouTube Video

Pop-Up Puppet Cinema presents Jaws

This event “Pop-Up Puppet Cinema presents Jaws” was a quirky and humorous stage adaptation of the classic film Jaws by the troupe known as Pop-Up Puppet Cinema. It filled in the time before the next band was on, and gave us time to drink some real ales and ciders. What with ciders, puppet shows and finding something to eat for supper, we missed the band Emperor. Instead we were refreshed are ready to enjoy Trivium to the maximun.

Trivium

Trivium’s impactful Bloodstock 2025 headline performance featured flawless execution and augmented stage production, including pyrotechnics. The band’s professional authority drove significant crowd dynamics. Strategically mixing Ascendancy tracks with newer material, and featuring guest collaborations, the set conclusively validated their enduring mastery.

View YouTube Video

Gallery

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Posted in Rock | Tagged Bloodstock, Famyne, Flotsam and Jetsam, Konvent, Ofnus, Orange Goblin, Paleface Swiss, Shrapnel, The Battle of Bloodstock, Trivium | Leave a reply

Bloodstock – Thursday Arrival

Blasdale Home Posted on August 7, 2025 by SteveOctober 13, 2025

7th August 2025

Selina and I arrived at 12, with no traffic at all on our chosen route. According to the rules, Serpents Lair campers should not arrive before 12. I don’t understand how the car park is full and the campsite is almost full. I must be missing something. We carted our stuff and found a place near a huge tent. Problem: I could not find the mallet, so I borrowed one from them. I decided they must be builders, because the mallet was a builders hammer. After a walk around, I decided that we should have spent a little more time finding a location. There was quite a bit of space nearer to the showers.

The rain started before the bands played, but we were in the bar in Serpents Lair having a beer and cider. When the short shower ended, we went to pick up our goodie bag. This was before the other crowds were let in. This was an excellent change becaue we did not have to queue.

I realised I did not have the correct charger cable for my battery pack, so went in search of a camping shop. We were led to it by a bored security man. I purchased the cable at the camp shop. We heard from the owner of the shop that Bloodstock was good to the suppliers, as was Glastonbury. He detested Download and the other festivals run by Festival Republic, as they took a 10-30% charge on all items bought. To enforce this, you had to take card payments and only use their card machines. If you did not make a sales level, then you would not be on site next year.

In the Serpents Lair, we were accosted by a youngster who was wearing a gas mask. He said everyone knew him by the name Gas Mask, and he was the starter of many of the circle pits on the main stage. He is a notable, high-energy figure amongst the Bloodstock crowd and we were to see him very often.

Bands started to play at 6 in the evening on the Sophie Lancaster Stage and continued until midnight. This stage, which is the festival’s second-largest, is named in memory of Sophie Lancaster, who was tragically murdered in 2007 for being a Goth. The stage highlights the work of The Sophie Lancaster Foundation, Bloodstock’s official charity partner, which campaigns to Stamp Out Prejudice, Hatred and Intolerance Everywhere.

Dead Flesh 18:00 – 18:30

We enjoyed the band, with plenty of crowd surfers. The first band to play, Dead Flesh are a Hertfordshire-based deathcore band known for their high-intensity live show, blast beats, and breakdowns. They set the tone for the evening perfectly.

View YouTube Video

Fourway Kill 18:50 – 19:20

Next up was a band named Fourway Kill. The English groove-thrash metallers opened the main stage at the inaugural Open Air festival in 2005, following previous appearances at the indoor festival. They are known for their brutal live shows and a no-compromise approach to heavy groove thrash.

Our recent friend, the fan known as Gas Mask appeared in the crowd to create his circle pits..

View YouTube Video

Gnome 19:45 – 20:25

We were then entertained by the Belgian band Gnome, a stoner rock/metal band from Antwerp. They’re known for their distinct visual style, dressing in large, red gnome hats for their performances, a look often mirrored by their dedicated followers.

Their set at Bloodstock, is a mix of heavy riffs, playful energy, and progressive elements, entertained the audience. Gnome’s unique blend of humor and heavy music – often described as “gnome rock” – made their performance a standout, solidifying their reputation for delivering a high-energy, memorable live experience. They often draw comparisons to bands like Tool or Mastodon but with a decidedly whimsical, fantastical twist.

View YouTube Video

All for Metal 21:00 – 22:00

All for metal performed a blend of power metal and heavy metal anthems, the band delivered a powerful and visually imposing set. The presence of the lead singer, Tetzel, was truly staggering; his enormous size and robust stage presence anchored the performance. A memorable highlight was a demonstration of his impressive strength, as he effortlessly picked up and held two other members of the band.

Adding to the spectacle and musical prowess was the female guitarist and a bass guitarist who maintained a menacing aesthetic by wearing a distinctive metal mask. Coming from Germany, All For Metal embodies the Teutonic tradition of heavy, highly theatrical, and instantly catchy metal, ensuring their performance was a high-energy, unforgettable experience.

View YouTube Video

Me and that Man 2240 – 2355

Me And That Man is the dark, blues-infused, Americana-style project fronted by Adam “Nergal” Darski, best known as the leader of the legendary Polish black metal band, Behemoth. In sharp contrast to Behemoth’s extreme sound, Me And That Man offers a blend of folk, gothic country, and blues rock, creating a brooding, atmospheric mood.

Their set was skillfully delivered by the band’s guitarist and vocalist (Nergal), showcasing their rich, acoustic-heavy material. The band’s captivating style successfully drew in a large audience, resulting in a lot of enthusiastic crowd participation and singing despite the departure from the festival’s typical heavy metal focus. The performance offered a dark, compelling change of pace, highlighting Nergal’s versatility as a musician.

View YouTube Video

Serpents Lair

That was the end of the bands, so we went back to the Serpents Layer and watch some fire displays while consuming a nightcap.

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Posted in Rock | Tagged All for Metal, Bloodstock, Dead Flesh, Fourway Kill, Gnome, Me and that Man | Leave a reply

Glastonbury 2025 – Thursday

Blasdale Home Posted on June 26, 2025 by SteveOctober 4, 2025

26th June 2025

It rained a little during the night, (after I had got back to the yurt at 3.00), enough to keep the dust down. Our first breakfast, and we were one of the early ones for it. Coffee from a coffee bag, plenty of yoghurt, cereal and pastries and a full English breakfast. We took our time over this meal. Lovefields know how to put on a good breakfast.

We all headed into Glastonbury; our first mission was the Joe Wicks exercise class. I had a few minutes to spare, so visited one of the Glastonbury post card stalls, Here I bought a couple of postcards, wrote them, placed a stamp on them, and franked the cards with the Glastonbury Festival stamp and posted them. R’s postcard was there next day. Since heard that Ann’s card also arrived.

Joe Wicks

Headed back to the Gateway Stage and we waited for Joe Wicks to start. He was being interviewed while his stage was being prepared, He started the work out, his brother DJed the music, and we exercised. This was quite fun and lasted a good 30 minutues. Huge queue at the end to get a selfie with Joe. We decided not to queue. Instead, walking down towards the acrobatics and circus area where we watched a competition to build the highest stack of crates where the builder had to remain on top of the stack. Very funny – old and young competed. The highest was 14 crates, the strong wind causing issues the higher the stack became. We walked onto the West Holts Stage where some processions were taking place, music and dancing.

Temple Uprising

I headed over to Temple Uprising to hear a couple of talks and songs relating to freedom.

  • Songs of Survival: West Papua’s Story Through Music and Memory with Koteka Lali Kuragan Wenda
  • Sound of Freedom: Palestinian Rhythm of Resistance with Palestine Pulse – Grandchildren of the Nakba

Needless to say, there were many Palestine flags being waved at the Palestine talk and music.

Circus

Afterwards I was back at the circus area and watched some acrobatics and highwire acts. Much more impressive close up, than watching at the pyramid stage.

The Evening

I arranged to meet with ex-Walker colleagues Ed and Mary, and found they were at the Sensations Stage. I quickly found them along with Jon. We started off watching Showhawk Duo, then the next band was Elvana Elvis Fronted Nirvana. These were very popular, and unfortunately, we ended up in the nearby bar. Ed & Mary had to leave, because they were on duty that night. I ended up wandering around the site, where I even visited the Ribbon Tower. The queues were not that long, finally, I left the park area at around 3.am, getting back to the yurt at around 3.30.

Glastonbury 2025 Thursday Video Blog

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Posted in Glastonbury, Rock, Uncategorized | Tagged Glastonbury2025, Joe Wickes, Showhawk Duo | Leave a reply

Forever Now 2025 – Kraftwerk

Blasdale Home Posted on June 22, 2025 by SteveJuly 14, 2025

22nd June 2025

I haven’t visited Milton Keynes Bowl for a music event for many years. It went through a period where it was not being used for music events, I think it may have become a training ground for football. Anyway, in recent years it is back as an outdoor music site, and I had bought a ticket to see Kraftwerk. Kraftwerk was on my must-see list. Even more years ago I had bought a ticket to see Kraftwerk in London, but they had cancelled. For some reason they have never appeared at Glastonbury. I would have thought they would have been a great match.

For this mini festival they had three stages, the main stage called the Forever Now Stage, was in the Bowl. The Other Stage and the Echo Chamber were outside the Bowl. Now looking at the running schedule, there were some bands I should have gone to see outside the Bowl, but I was totally focused on seeing Kraftwerk.

Parking was easy, though expensive at over £30. (Getting away at the end of the gig was slow but I was away in the car after 30 minutes.) The walk from the carpark to the Bowl is not very far. On entry to the Bowl, I was given a wristband, this was to gain access to a standing area in front of the stage, some nearer loos and a bar. To be fair, you could have stood near the front of the stage without the band. I expect the guys who ran the event expected a lot more people to be there. The whole reason for coming was to see Kraftwerk, and any other bands were a bonus. So it was good to see Billy Idol, seen him here years ago. With each of the other bands, there was always at least one memorable hit single which jogged the brain cells.

  • UK Decay (Not seen)
  • Berlin
  • The Chameleons
  • The Psychedelic Furs
  • Johnny Marr
  • Billy Idol
  • The The
  • Kraftwerk

Berlin, of course played their hit single, Take My Breath Away, from Top Gun

On the Other Stage there were some good bands, some of whom I regret not seeing.

  • Theatre of Hate
  • John McKay
  • The Models
  • She Wants Revenge
  • Public Image Ltd
  • Happy Mondays
  • The Damned
  • The Jesus and Mary Chain
  • Death Cult

The Echo Chamber Stage had a few bands as well, though none I recognised, so not missed anything there.

  • Richard Jobson
  • Kirk Brandon and Stan Stammers
  • Terri Nunn
  • Jim Reid
  • Vox (Mark Burgess)
  • Marth Davis

There was food and seating outside the arena, and I ate an Indian dish. Beer was a tad expensive, but some nice, canned craft IPAs. Back in the arena I suddenly realised I was standing next to Mark and Emma. This is happening far too often, they spot me on TV, we bump into each other at Glastonbury, and here I was, standing right next to them yet again! They must be stalking me!!!!

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Kraftwerk playing at the Forever Now 2025 festival in Milton Keynes on the 22nd June 2025

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Posted in Rock | Tagged Berlin, Billy Idol, Johnny Marr, Kraftwerk, Milton Keynes, Milton Keynes Bowl, The Chameleons, The Psychedelic Furs, The The | Leave a reply

Police Dog Hogan at The Stables

Blasdale Home Posted on March 7, 2025 by SteveMarch 17, 2025

7th March 2025

On a whim, R and I booked tickets to The Stables in Milton Keynes. We were going to see and listen to a band with the rather distinctive name of ‘Police Dog Hogan’. The initial draw was that we both read the Saturday Guardian and were familiar with the column by the American writer, Tim Dowling (second from the left). Tim Dowling, in addition to his writing, is a musician who plays the banjo and guitar. He tends to downplay his musical contributions in his articles, to the point where one might wonder if he’d even bother to show up. This, however, is far from the truth; he plays a significant role in the band’s performances.

We made a day of our outing to Milton Keynes, first stopping at IKEA for their complimentary coffee, then navigating the labyrinthine maze-like layout of the shop, before finally, stocking up on my beloved pickled herrings.

At The Stables, we had booked a pre-show supper, the first such offering in many years. We were, in essence, the guinea pigs for this revived dining experience, and as a gesture of appreciation, we were each offered a glass of prosecco. We accepted! Rudenot to have, we thought. The supper consisted of pizza, preceded by a starter and followed by a dessert, all accompanied by a drink. I opted for a pint of ‘Side Pocket for a Toad’, brewed by the Tring Brewery Company, while Rosemary chose a glass of white wine. The food was simple, hearty, and the pizzas were generously sized. The starters, in particular, were excellent, we never got to the desserts.

The show, while not completely sold out, was thoroughly enjoyable. During the interval, I managed to purchase a vinyl record and received a complimentary tea towel for subscribing to their email list. As for Tim Dowling, he performed admirably, taking a much more prominent role in the performance than his Guardian column might suggest. Police Dog Hogan are known for their blend of folk, country, and rock, often referred to as “urban bluegrass,” and their live performance was energetic and engaging.

It was a good evening out.

Police Dog Hogan
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Posted in Art, Rock | Tagged Police Dog Hogan, The Stables | Leave a reply

Glastonbury Festival 2024 – Wednesday

Blasdale Home Posted on June 26, 2024 by SteveDecember 3, 2024

26th June 2024

On Wednesday, I set off to the Glastonbury Festival 2024, I was taking Selina and Phil to the festival. The first time for Phil, the third time for Selina (98, 99, 24) and the fourteenth time for me (98, 99, 09, 10, 11, 13, 14, 15, 16, 17, 19, 22, 23, 24). The only gap for me was between 1999 and 2009. The other gaps in the years were when Glastonbury had a fallow year or Covid circulated. We were going to be staying at a glamping site called Love Fields.

We set of at 10.30, stopping at Starbucks near Frome, intention of charging the car with some free BP electricity. Alas all chargers were in use. Arrived at The Love Fields just before 2. A note to myself, ignore Google Maps, it will see the holdups on the main roads around Glastonbury, and attempt to find a quicker route, this inevitably will take you down small single-track roads, and roads that are closed to non-residents during the festival.

I had booked a large Ash Yurt at The Love Fields for the three of us. This is in the VIP area, where there is a selection of accommodation at different costs. There are several bars in the VIP area, and other bars outside the VIP area, but still in Love Fields. There are a couple of stages are in the area, with some bands playing both here and in the main Glastonbury festival. I have always wondered if you could come to The Love Fields and not attend Glastonbury Festival.

The yurt came with electricity and double bed for Selina and Phil, and a single for me. Checking in was quick and easy, driving down to the yurt to unload, and then taking the car back the car park. Slight irritation was by the Friday, the parking was full, and some vehicles were parked in the driveways. We picked up our wrist bands and guides from reception. The glamping site is very convenient to the festival. Straight out of Love Fields and you are at Pedestrian Gate C to the festival. It is also not far to walk to the Pyramid stage. Many staying at the festival site would have a longer walk than us.

Not many bands are playing on the Wednesday, it’s an arrival day. We did go for a walk around the site so Phil and Selina could get their bearings. Met up with Ed for a pint at the Stonebridge bar and headed back to Love Fields to watch the fireworks. Missed Mary, she was initially coming to work, but unfortunately her brother had an accident a few days before, so she stayed behind to look after him.

There is an excellent view of the fireworks from Love Fields. We also got to see the drone display, a first for Glastonbury. To see this, we had to be in the upstairs bar in the “Barn”. I had a Negroni here, but timeline is hazy.

Afterward the fireworks I went for a walk around the site, visiting the Avalon bar, the Ribbon Tower, and then I headed over to Woodsies stage to see the new Tree Stage. Then it was back through the Wood, walking through the trees on a platform. Final walk back to Carhenge to see Fulu Miziki. A Congolese band that makes music from rubbish. Somehow missed them, but they are on again. Good to see Car Henge in the dark. Fabulous use of old American gas guzzling icons set up in the formation of Stone Henge. A nod to the origins of the new age travellers influence on Glastonbury. They had been cast out from Stone Henge in the Battle of Beanfield in 1985 .

This Wednesday, the weather was kind. It was sunny and warm. There had been several days break in the wet weather (we had been soaked at Download), and we were not going to receive any rain this weekend. There had been quite a lot of rain in the preceding weeks, but thankfully it had stopped, and the land had dried out to a considerable extent. Unfortunately, in preparation for continued rain, all the main stages had wood chippings laid out. This meant there was no lovely grass to sit down on at the West Holts stage.

It had been a lovely start to Glastonbury Festival 2024

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Video from The Love Fields of the Glastonbury 2024 drone display.

Posted in Art, Entertainment, Glastonbury, Rock, Sculpture | Tagged Glastonbury, Glastonbury 2024, The Love Fields | Leave a reply

Download 2024 Festival

Blasdale Home Posted on June 16, 2024 by SteveJanuary 18, 2025

16th June 2024

Selina and I vistited the Download 2024 Festival. This year we had a RIP (Rest in Peace) tickets for the campsite. This gave us a camping space with car parked next to it, showers, somewhere nice to eat, and access to an area where we could hang out with seats. We also had early access to the Arena and the Old Sarum Tattoo and Piercing area.

We took Morrison the van, and arrived Thursday at around 13.00. There were no queues this year, no traffic hold ups, sailed straignt into reception and then parked the van in the field on a large slope. Spent the afternoon tasting the various beers they have on sale in the farmhouse. There were bands also playing at the farmhouse, some of these playing the arena on the following day. We also heard how many bands had pulled out from playing the Doghouse stage in protest of Barclays sponsorship and their ties with the arms suppliers who were suppliing Isreal.

Download Friday

Very cloudy start to the day which turned into torrential rain. We started off at the Apex stage (main stage), migrated over to the Avalanche stage to escape the rain, and finished at the Apex stage for the Queens of the Stone Age.

  • The Blue Stones, a Canadian three pice band. Quite an enjoyable band.
  • Those Damn Crows:, it started to pour with rain. This did not dampen the apluase from the crowd. An Excellant performance from this Welsh Band.
  • The Struts: It stopped raining for the Struts, the sun even came out for this Derby band.
  • Polyphia: prog rock band from Texas, their virtuosic guitar playing was too complex.
  • Vukovi: The rain was still coming down, so we headed to the Avalanche stage which is undercover. We were met by the Scottish band, Vukovi, a blonde vocalist, guitarist and drummer. Balance was not good, she could have done with some extra volume.
  • Bayside: American punk band from New York. Enjoyable
  • Wheatus: Wheatus is an American rock band from Northport, New York and ended their set playing Teenage Dirtbag
  • Busted: Very crowded. English pop-punk band from Southend
  • Queens of the Stone Age: Back to the pyramid stage for The Queens Of The Stone Age. (now my third time seeing them)
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Download 2024 Friday Video

Download Saturday

Slight delay in the opening of the arena, spreading of woodchips infront of the main stage. Yes there was mud, but not like Glastonbury mud, The ground was still very firm, but there was a layer of mud. It was yet again a wet day, with hot blue sun and rainbows. Check some of the early sections of the videos where you can see the rain bouncing off the stage. Yep is was a wet start to the day, the mud grew deeper, and the sun came out on occaisions to brighten up the day.

  • Bambi Thug Robinson is the first openly non-binary artist to represent Ireland in the Eurovision Song Contest,
  • Wargasm are a British electronic rock duo from London, Sam Matlock,and Milkie Way.
  • Frank Carter & The Rattlesnakes
  • Baby Metal
  • Tom Morello
  • The Offspring
  • Fall Out Boy
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Download 2024 Saturday Video

Download Sunday

Another delay in opening the Arena, where wood chips were spread in front of the stage. The mud was getting more gloopier and deeper. Don’t think is rained today, and there was plenty of blue sky. It was the wet gloopy mud which made for a hard day walking around. I don’t think Sunday was a particularily good day music wise.

  • Alien Weaponry is a New Zealand metal band from Waipu, formed in Auckland. Some of the band members have Māori ancestry and some songs sung in same language.
  • Creeper: an English rock band from Southampton.
  • Royal Republic is a Swedish rock band from Malmö. We saw them at Bloodstock last year.
  • Bowling for Soup is an American rock band formed in Wichita Falls, Texas, in 1994
  • Limp Bizkit is an American nu metal band from Jacksonville, Florida
  • Avenged Sevenfold: (abbreviated as A7X) is an American heavy metal band from Huntington Beach, California, formed in 1999.
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Impressions

As usual, the beer is expensive and crap, The beer in the RIP Farmhouse is good, but it is geared up for Wednesday and Thursday, after then it starts to run out and it is a long walk from the festival site. I wish there was more some choice.

With the mud, it was hard work on the Sunday, but nowhere as bad as Glastonbury mud. Quite a few choices of food, with many Veggie and Vegan options. Yes, I tend to avoid meat at these places, I have had some of the most disgusting burgers and hotdogs. There was also Bunnymans, and their hot Bunny Chow is hot.

Posted in Rock | Tagged Alien Weaponry, Avenged Sevenfold, Baby Metal, Bambi Thug Robinson, Bayside, Bowling for Soup, Busted, Creeper, download, Download 2024, Fall Out Boy, Frank Carter & The Rattlesnakes, Limp Bizkit, Polyphia, Queens of the Stone Age, Royal Republic, The Blue Stones, The Offspring, The Struts, Those Damn Crows:, Tom Morello, Vukovi, Wargasm, Wheatus | Leave a reply

Cambridge Folk Festival, Saturday

Blasdale Home Posted on July 29, 2023 by SteveOctober 11, 2023

29th July 2023

Today was another dry day for the folk festival. Sunday was definitley going to be a bit iffy. Andrea, Richard and SImon were coming to the festival. We met up and watched what we wanted to.

Angeline Morrison and The Sorrows Band

Angeline Morrison and The Sorrows Band delivered a stunning performance at the Cambridge Folk Festival 2023, showcasing their album The Sorrow Songs: Folk Songs of Black British Experience. The album, which was released in 2022 to widespread critical acclaim, is a work of re-storying, of lives and experiences, into songs in the folk style. It shines a long overdue spotlight on the historic Black experience in the UK folk tradition, which dates back to at least Roman times, yet is often hidden, forgotten or unacknowledged.

The band, composed of Angeline Morrison (vocals, autoharp), Cohen Braithwaite-Kilcoyne (anglo concertina, vocals), Hamilton Gross (violin, vocals) and Clarke Camilleri (banjo, guitar, vocals), blended influences from the Caribbean and Orkneys, where they have roots, with elements of soul music, literature, 60s beat pop sounds, folklore, myth and the supernatural. Their songs explored themes such as slavery, racism, identity, love and loss, with a deep love, respect and curiosity for traditional song.

The highlight of their set was the haunting rendition of The Brown Girl and Other Folk Songs, a song cycle based on the ballad of The Brown Girl (Child 295), which tells the story of a Black woman who is rejected by her lover for a fair-skinned woman. Angeline Morrison’s voice was captivating and emotive, conveying the sorrow and resilience of the protagonist. The band’s harmonies and instrumentation were exquisite and atmospheric, creating a spellbinding effect on the audience.

Angeline Morrison and The Sorrows Band are a rare gem in the folk scene, offering a unique and powerful perspective on the history and culture of Black British people. Their performance at the Cambridge Folk Festival 2023 was a memorable and moving experience that will stay with me for a long time.

Le Vent Du Nord

Le Vent Du Nord was one of the highlights of the 2023 Cambridge Folk Festival, bringing their infectious and energetic Québécois folk music to the main stage. The band, composed of five multi-instrumentalists and singers, delighted the audience with their mix of traditional tunes and original compositions, sung in French and English. Their repertoire ranged from lively reels and jigs to poignant ballads and songs of protest, reflecting their rich and diverse cultural heritage. They also demonstrated their impressive musical skills on instruments such as the hurdy-gurdy, the fiddle, the accordion, the guitar and the banjo. The band’s charisma and humour, as well as their interaction with the crowd, made their performance a joy to watch. Le Vent Du Nord received a standing ovation from the enthusiastic fans, who sang along, clapped and danced to their catchy melodies. Le Vent Du Nord proved once again why they are one of the leading forces in Québec’s progressive francophone folk movement.

Gangstagrass

Gangstagrass was one of the most surprising and exhilarating acts at the Cambridge Folk Festival 2023, bringing their unique blend of bluegrass and hip hop to the main stage on Saturday night. The band, led by Brooklyn producer Rench, combines authentic bluegrass instruments and vocals with rap lyrics and beats, creating a new genre that bridges the gap between urban and rural cultures. Gangstagrass is best known for their Emmy-nominated theme song for the FX television show Justified, “Long Hard Times to Come”, which they performed with gusto and swagger.

The band’s setlist featured songs from their latest album, No Time For Enemies, which debuted at #1 on the Billboard bluegrass chart in 20202. The album tackles themes such as racism, social justice, unity and hope, with a deep respect for the roots and traditions of both genres. Songs like “Freedom”, “Ride With You” and “Ain’t No Crime” showcased the band’s lyrical skills and musical versatility, as well as their ability to engage and inspire the audience. The band also played some of their older classics, such as “Bound to Ride”, “Barn Burning” and “I’m Gonna Put You Down”, which had the crowd clapping, stomping and singing along.

The band’s chemistry and charisma were evident throughout the show, as they interacted with each other and the crowd with humour and warmth. The band members are Rench (vocals/guitar/beats), Dan Whitener (banjo/vocals), Brian Farrow (fiddle/vocals), R-Son The Voice of Reason (vocals) and Dolio The Sleuth (vocals). They each displayed their impressive musical talents and personalities, creating a dynamic and diverse sound that appealed to both old and young fans of folk and hip hop.

Gangstagrass proved that they are more than just a novelty act, but a serious and innovative force in the music scene. They delivered a stunning performance that was one of the highlights of the Cambridge Folk Festival 2023, showing that rap and grass can indeed mix harmoniously.

Kate Rusby

I have no video of Kate, just a comment in my notes. ‘Too much talk between the ongs. Band OK, but she isn’t

Baskery

Baskery are a trio of sisters from Stockholm who have been making waves in the folk and roots music scene with their unique blend of banjo, guitar, bass and harmonies. They call their style “banjopunk”, “fierce folk” or “nordicana”, and they are not afraid to mix the straightforwardness of punk with the subtlety of singer/songwriting. They have toured with Robbie Williams, Gary Clark Jr and Brandi Carlile, and have released four albums and two EPs.

I had the chance to see them live at the Cambridge Folk Festival, where they played on Stage 2 on Saturday, July 29th. They delivered a stunning performance that captivated the audience with their energy, charisma and talent. They played songs from their latest album, Coyote and Sirens, as well as some older favourites like “One Horse Down” and “Fall Among Thieves”. They also covered some classics by Led Zeppelin, Fleetwood Mac and The Beatles, giving them their own twist.

The sisters have amazing chemistry on stage, and they interacted with the crowd with humour and warmth. They also showcased their impressive vocal skills, switching between lead and harmony parts effortlessly. Their instruments sounded great together, creating a rich and dynamic sound that filled the tent. They used a variety of effects and loops to add layers and textures to their songs, making them sound fresh and original.

Baskery are one of the most exciting bands I have ever seen live, and I would highly recommend them to anyone who loves folk, rock or anything in between. They are definitely preferable to Abba, in my opinion. They are a band that deserves more recognition and exposure, and I hope they will come back to Cambridge soon.

Niteworks

Niteworks, a band from the Isle of Skye, delivered a stunning performance at the Cambridge Folk Festival 2023. They closed the stage on Saturday night with a fusion of bagpipes, drums and keyboards that had the crowd dancing and cheering. Their music is a blend of traditional Gaelic songs and modern electronic beats, creating a unique and captivating sound. They were joined by the talented Beth Malcolm, who added her haunting vocals to one of their tracks. She sang in both English and Gaelic, showcasing her versatility and range. The highlight of the show was their rendition of “Air Fàir an Là”, a song that celebrates the beauty of Skye and its people. The band and Beth Malcolm received a standing ovation from the audience, who were clearly impressed by their talent and energy. Niteworks are a fabulous band that deserve more recognition and appreciation for their innovative and inspiring music. They are one of the best acts to come out of Scotland in recent years.

Gallery

Cambridge Folk Festival 2023
Cambridge Folk Festival 2023
Cambridge Folk Festival 2023
Cambridge Folk Festival 2023
Cambridge Folk Festival 2023
Cambridge Folk Festival 2023
Cambridge Folk Festival 2023
Cambridge Folk Festival 2023
Cambridge Folk Festival 2023
Cambridge Folk Festival 2023
Cambridge Folk Festival 2023
Cambridge Folk Festival 2023
Cambridge Folk Festival 2023
Cambridge Folk Festival 2023
Cambridge Folk Festival 2023
Cambridge Folk Festival 2023
Cambridge Folk Festival 2023
Cambridge Folk Festival 2023
Cambridge Folk Festival 2023
Cambridge Folk Festival 2023
Cambridge Folk Festival 2023
Cambridge Folk Festival 2023
Cambridge Folk Festival 2023
Cambridge Folk Festival 2023
Cambridge Folk Festival 2023
Cambridge Folk Festival 2023
Cambridge Folk Festival 2023
Cambridge Folk Festival 2023

Posted in Cambridge, Rock | Tagged Angeline Morrison and The Sorrows Band, Baskery, Gangstagrass, Kate Rusby, Le Vent Du Nord, Niteworks | Leave a reply

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